seen from United States

seen from United States

seen from United States

seen from France
seen from Türkiye
seen from Russia
seen from Netherlands
seen from Russia

seen from France
seen from United States

seen from United Kingdom

seen from Sri Lanka
seen from United States
seen from United States
seen from United States

seen from United Kingdom
seen from United States

seen from United Kingdom

seen from Russia

seen from France
Door in the Baobab tree, Mali, 2009
“Women in the balcony, Djenne, Mali. Women are talking to each other in the old city of Djenne.”
Ph by: Attila Jandi
Yeelen (Souleymane Cissé, 1987)
Mali, 1949. From the book Hector Acebes: portraits in Africa; 1948-1953; via archive.org
Couple à la moto by Mory Bamba, 1960
tuareg rock band, tinariwen
"The young Tinariwen are invited to a new camp near Tripoli. This camp was run by the MPA (Mouvement Populaire de l’Azawad), a Tuareg rebel movement fighting for a new independent state. There, they met a new group of aspiring musicians, including Kedou Ag Ossade (aka ‘Hiwaj’), Mohammed Ag Itlale (aka ‘Japonais’), Sweiloum, Abouhadid and Abdallah Ag Alhousseyni. Their music became interlinked with the cause – the Tuareg’s fight for education, independence and political freedom. Working from a makeshift rehearsal studio, they wrote and recorded songs, free for anyone who turned up at their door with a blank cassette tape. Through the exchange of cassettes – often dubbed copies, or copies of copies – Tinariwen’s songs of hope, struggle and exile spread through settlements and camps across the Sahara." source
Unknown, Bamana group, Altar figues. Mali area
Boli sculpture depicts an animal such as hippopotamus or cow but in ritual use builds into a dark accumulation of mud, blood, and sacrificial materials in which the form becomes ambiguous.