#mark pattison

[localtboy-ivan]

Sooo chat… what if I told y’all… I made two new ocs… oops? LISTEN I KNOW I SAID NIKOLAI WAS THE LAST BUT I JUST COULDN’T HELP MYSELF I MADE THEM IN THE SAME DAY AND I NEED TO DRAW THEM MORE AAAAAAGHHH

okay okay. I’m calm. Here they are. If I even TRY making more, force me not to!

My beloved freaks, they’re not mentally stable and love fucking with people over the radio show 😋

Anyway, I’m gonna keep doodling them together!!!

[uwmspeccoll]

Staff Pick of the Week

I’m a book and printing history nerd from way back, and while the breaking of historic books to display samples disturbs me, I couldn’t help geeking out about this recently-cataloged book from the Jerry Buff donation, The Estiennes, printed in San Francisco for The Book Club of California in 1949 by the Grabhorn Press in an edition of 390 copies. The edition, which includes an introductory note by Robert Grabhorn and an historic bibliographical essay by the noted English author and Rector of Lincoln College, Oxford, Mark Pattison (1813-1884), is “illustrated with original leaves from books printed by the three greatest members of that distinguished family.” The examples included here, printed by Henri Estienne in 1510, Robert Estienne in 1544, and Henri II Estienne in 1592, are all outstanding examples of the consistent print quality and typographic presentation achieved by this most important French printing family over nearly a century. Each sample sheet is preceded by a typographic page designed by the Grabhorns that includes the printer’s marks used by each member of the Estienne family, most notably the famous olive tree with falling branches and the Latin motto Noli Altum Sapere (Do Not Become Proud).

I note that in this publication the Grabhorns use a stylized anchor and dolphin for their own printer’s mark, fashioned after the one first used by the legendary Venetian printer/publisher Aldus Manutius (1452-1515), which has become a traditional symbol for quality in print and design. The Grabhorns don’t mention the type they used, but it is clear that it is a version of a Roman font designed by Claude Garamond (1510-1561) whose typefaces were much-used by House Estienne. Garamond also cut Robert Estienne’s famous Greek typefaces, first used in 1544, a sample page of which is shown here. A highly appropriate typographic choice by the Grabhorns.

The Grabhorns also do not mention the paper they used, but the watermarks (also shown here) reveal that it is Canson Vidalon paper, which has its origins in the the 16th-century French paper mill founded by Antoine Vidalon, the products of which would have been well known and probably utilized by the Estiennes. Through marriages, the paper mill became owned by the Montgolfier family. In the late 18th century, the firm’s heirs Joseph and Etienne Montgolfier invented the first hot-air balloon using paper manufactured at their mill. The first flight took place at the mill in 1782. The stylized balloon in the watermarked crest is a memorialized reference to this accomplishment. 

In all, this publication is just a book and printing historian’s delight!

View another post referencing Garamond and the Estiennes.

View other posts relating to the Grabhorns.

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