© Mary Gaudin
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© Mary Gaudin
Textile designer & maker Marta Buda for Apiece Apart
Textile Design by Marta Buda
Textile designer & maker, Marta Buda for Apiece Apart
Exclusive Interview with Marta Buda
Marta Buda
Play with Me/ Polyurethane Foam/ 43 x 50 in.
Bite Me / Polyurethane Foam/ 20 X 22 in.
Lick Me / Polyurethane Foam/ 29 x 35 in.
http://martabuda.weebly.com
Transmitter liked visiting our sister gallery Guest Spot @ The Reinstitute for the closing of Dirtier Words - Baltimore featuring Robert Attanasio, Marta Buda, Karen Mainenti, Joe Nanashe, Allison Wade and Transmitter artist Michael Scoggins.
DIRTIER WORDS — BALTIMORE
February 20, through March 26, 2016
Open Reception: Saturday February 20, 2016 7pm-10pm
Closing Reception: March 26, 2016 2pm-4pm
Robert Attanasio, Marta Buda, Karen Mainenti, Joe Nanashe, Michael Scoggins, Allison Wade
(Baltimore, MD) — Guest Spot @ THE REINSTITUTE, is please to present Dirtier Words — Baltimore a group exhibition featuring the works of Robert Attanasio, Marta Buda, Karen Mainenti, Joe Nanashe, Michael Scoggins, and Allison Wade. Dirtier Words — Baltimore is a remix of VICTORI+MO and Catinca Tabacaru Gallery's exhibition, Dirty Words. The exhibition will open on Saturday, February 20, 2016 and will be on view through Saturday March 26, 2016. The Opening Reception will take place on Saturday, February 20, 2016 from 7pm-10pm. The exhibit Dirtier Words — Baltimore is dedicated to the remembrance of Robert Attanasio.
“This exhibition explores the aggression and sexuality ingrained in modern vernacular and inherent within American culture. We are repeatedly confronted by double entendres, and have become increasingly reliant on context and source in order to absorb true meaning. This content, often fraught with messages of fear, submission, superiority or surrender, hold various truths depending on their intention and ultimately fall on the perceptions — or lack thereof — of the audience.” — Press release Dirty Words, VICTORI+MO CONTEMPORARY
Dirtier Words — Baltimore is emblematic of a wild and adventurous strain associated with the taboo of common parlance. The re-exhibition embodies the attempt to marry theory, politics, sexuality, pleasure, experimentation, and humor. The works debunk all humanist mythology about the grandeur of proper etiquette. The relational examination of text and non-text based vulgarity in Art History and Pop Cultureis the central focus of the collection of works. Linguistically speaking, the eccentric, dialectical style reinforces an ironic sensibility, combined with inquiry that is provocative, humorous, and intellectually exhilarating...just like common profanity. FUCK.