#mashibeats

[thevinyldigest]

2019 | Mark De Clive-Lowe - Heritage II Ropeadope | Mashibeats #markdeclivelowe #ropeadoperecords #mashibeats #mashibeatsrecords @markdeclivelowe @ropeadope Bandcamp: „Day turns to night as Mark de Clive-Lowe’s Heritage II takes us from the meditative zen of Heritage into a world of jazz and Japanese roots culture fused with hip hop, drum’n’bass and broken-beat.“ https://www.instagram.com/p/CZBsjVVsosg/?utm_medium=tumblr

[yasbxxgie]

Mark de Clive-Lowe Ryūgū-jō (Live) (bass: Brandon Eugene Owens, composer, piano, keys, & live electronics: Mark de Clive-Lowe, drums: Tommaso Cappellato, faderboard: Shing02, koto: Yumi Kurosawa, percussion: Carlos Niño, shinobue flute & taiko: Kaoru Watanabe, & violin: Tylana Enomoto) 未来の歴史 Mirai No Rekishi / History of the Future (Grand Performances (LA, CA), 1/17/18)

From MdCL's premiere of his new major work "Mirai no Rekishi" (History of the Future) - a musical exploration through his Japanese heritage through the lens of jazz and electronica featuring an 8 piece ensemble live on stage.

For this original composition "Ryūgū-jō" (The Dragon's Palace), MdCL takes inspiration from the Japanese folktale Urashima Taro

[tommasocappellato]

This was a few days ago getting interviewed by Louis Marks at Ropeadope Records headquarters in Philadelphia talking about the forthcoming Aforemention Remixed EP out on Mark de Clive-Lowe’s Mashibeats Records on June 1st featuring Natalie May, Afrikan Sciences, Alex Attias & Emanative. Much love to the Ropeadope fam and all of you DJs, selectors, broadcasters, promoters and listeners for the big support! The journey continues...

[tommasocappellato]

Here's the single "R'n'Free" feat. @neonataliemay from the #Aforemention Remixed EP out on #MashiBeats via @ropeadope available now for pre-order (link in bio) ✨ Cover Art by @nadiapillon About mid march 2017 I performed a solo show at @jazzrefreshed in London. The turn out was great, people dug the show but I wasn't happy at all. For logistic reasons I couldn't properly soundcheck and felt quite uncomfortable on stage. It was nevertheless a nice evening but didn't feel completely fulfilled once I returned to the hotel. The next day I received an email from a stranger by the name of Natalie in which very gracefully she tells me how she "was left stunned by the music" calling it "insanely beautiful". You can imagine how this made my entire day. She then went on writing asking if she could add lyrics to “R’n’Free”, the second track on "Aforemention" and without too much thinking I accepted the proposal. Months went by and almost forgot about the whole episode until a message appeared in my inbox containing the track with added vocals. I clearly remember having goose bumps through the entire first time listening to it and appreciating Natalie's unique beautiful tone. The lyrics she wrote couldn't have fit more perfectly to the song and it's now hard to imagine it without them. Every time I perform my solo I can't help but quoting her melodic line when playing synths. I’m looking forward to more music from her and hope more and more people will find out about her beautiful and gracious talent. (at London, United Kingdom)

[scentedpiekidpatrol-blog]

#MarkDeCliveLowe #Church #Mashibeats (at Los Angeles, California)

[mashibeats]

Last night @worldwidefest_leysin... @nianiaandrews guesting with @tommasocappellato ! #aforemention #mashibeats

[mashibeats]

Captured by @aht1985 at last nights NYC album release show @joespub - love playing with this crew - Nate Smith, Burniss Travis, Jaleel Shaw and guest on the mic John Robinson. Hope to be back for more soon! #liveatthebluewhale #mashibeats (at Joe's Pub at The Public)

[mashibeats]

Shout out to @farahsosa for capturing such great images from the night we performed and recorded #liveatthebluewhale ! Link in bio #mashibeats #ropeadope #fatbeats 📸@farahstop