#mat mcnerney

[batsinmypants]

[saisons-en-enfer]

[nofatclips-home]

Changeling by Hexvessel featuring Neige - Directed and produced by: Vesa Ranta & Aapo Lahtela

[sateenkaari]

Apemen, spacemen hollow-eyed skulls exotic weapons

MK ultra magic cult sexual tension

We carry the sign of forever forever no more

Bad trip prisoners insane sons Charlie Manson teenage sacrifice, occult wars poison religion

We carry the sign of forever forever no more

And when I'm high on a mushroom cloud turned on by the death toll I wear a doomsday rainbow the whole world's on a tightrope we laugh our way to the gallows when I wear a doomsday rainbow

The light that dormant moons never spill our time is up

Vengeful angels schizophernic thoughts Christian venom nihilist survivalism government control industrial murder

We carry the sign of forever forever no more

And when I hear the bombs drone down I smile so genocidal and wear a doomsday rainbow we're living on a time we borrow we're all on fire in the shadows but I wear a doomsday rainbow

The light that dormant moons never spill no future to kill no future to kill The light that dormant moons never spill our time is up

Doomsday rainbows the colour of death liberation

[kingoffools]

I love the range that Mat McNerney has. Honestly sounds like each song has multiple vocalists.

[scarlet-mouth]

Grave Pleasures live at Garagefest, Lutakko, January 2018, photos by Antti Makkonen

[ego--trip]

Grave Pleasures

[metalsongoftheday]

Tuesday, March 14: Grave Pleasures, “Taste the Void”

Formed by members of Beastmilk after that band’s breakup, and with ex-The Oath guitarist Linnea Olsson adding a dose of doom, Grave Pleasures’ Dreamcrash furthered the “apocalyptic post-punk” of Beastmilk’s Climax and expanded on that record’s surprising fusion of punk, metal and goth.  “Taste the Void” was one of the faster tunes on Dreamcrash, but it retained the album’s unique sound and feel, and established the group as one of the most interesting bands in the underground today.  Volbeat would be an easy comparison, but an inaccurate one: although Mat McNerney’s vocals were rooted in black metal, his singing bore a heavy goth influence and sounded more ominous.  Furthermore, the band as a whole was compact and lean in its attack, even as they were invoking several different genres and scenes all at once.  Some might not know what to make of “Taste the Void”, and some might not think of it as metal at all, but this offered another example of the breadth of the genre’s reach.