Mathieu Pernot, Atlas en Mouvement, 2009-2022


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Mathieu Pernot, Atlas en Mouvement, 2009-2022
Mathieu Pernot.
CACHE-CACHE / HIDE-AND-SEEK Mathieu Pernot, Les Gorgan Arles (FR) Juillet / July 2017
Alors que je m'approchais de ce portrait troublant -tristesse, désespoir, joie pudique?- j'ai sursauté en voyant un type apparaître dans l'image! J'avais percuté un rayon de soleil... La lumière n'en finit pas de jouer des tours aux photographes. - While I was approaching this confusing portrait -sadness, despair, chaste enjoyment?- I flinched as I saw a guy appearing in the image! I collided a ray of sunshine… Light does not stop playing tricks to photographers.
Mathieu Pernot, Les Gorgan (Maison des peintres)
Rencontres d’Arles 2017
Mathieu Pernot Famille Gorgan, Arles, 1995. Avec laimable autorisation de la galerie Éric Dupont. —– Mathieu Pernot The Gorgan familly, Arles, 1995. Courtesy of the Éric Dupont gallery.
“I met the Gorgan family in 1995, while studying at the École Nationale Supérieure de la Photographie in Arles. I knew nothing about these communities, and was unaware that this line of Roma had been in France for over a century. My first works were in black and white, placing me in a documentary tradition in the face of what I still found strange. The discovery of several archival documents that they possessed quickly taught me that a diversity of forms and points of view were necessary to take account of the density of life that came into my view. It was in 2013, more than 10 years after those first photos, that we met again, as if it were yesterday. In their company, I lived an experience which surpasses the experience of photography. The exhibition recreates the circumstances of each member of the family, and recounts the story that we wrote together, face to face, then side by side.”
Il s’agit des Gorgan, une famille Rom que j’ai rencontrée en 1995 lorsque j’étais étudiant à l’école d’Arles. L’exposition commence et se termine avec eux. Ce sont les enfants dans la cabine du Photomaton en 1995, les adolescents hurleurs en 2001 et les adultes éclairés par le feu en 2013. Ces personnages sont traversés par des histoires de la représentation et font face aux autres corpus d’images qui les regardent – au sens propre et figuré. La prison, que la plupart d’entre eux ont connue, les regarde, comme les logements sociaux dans lesquels ils vivent désormais, migrants de l’intérieur.
Mathieu Pernot, Rendre les images dialectiques, entretien avec Etienne Hatt, Art press, n°408, 2014
LS New Books
Mathieu Pernot - Les Migrants
www.landscapestories.net
Mathieu Pernot
Mathieu Pernot
Mathieu Pernot, Liban 2019-2020