#matt robison

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Chris Matthews Tells Us the One Thing Haley is Failing to Do That is Cos...

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Senator Fetterman Hilariously Mocks Mike Johnson As a Deranged "Weirdo"

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Why Does One Insane Billionaire Have So Much Power Over Us?

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It starts with one

It starts with one

Researchers working with a study participant in the Translational Metabolism Research Laboratory (TMRL) We all know that exercise is good for us; it makes us feel good and has positive benefits for our waistlines and our health. Many of us like to start fresh in the new year, committing to finally losing weight or eating better. According to mainstream media reports, experts estimate nearly 40…

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Matt Robison, of The Morning News, discusses writing in New Orleans, "from Early Times to Katrina cliches," with a circle of writers:

Pia Z. Ehrhardt: The city’s charms and clichés are hard to keep at bay. Before Katrina, I worked small, inside the houses, inside the characters. I’m interested in the unexpected, corner-of-the-frame details. The stuff tourists can’t get to without a local taking them in. People work hard and play hard here. It’s not all gumbo and parades, bohemia and funk. The books written after Katrina—Dave Eggers’s Zeitoun, Tom Piazza’s City of Refuge, Mary Robison’s One D.O.A., One on the Way—dealt with the aftermath more frontally. It’s going to be interesting to see how writers handle Katrina now, to see what role the storm plays in novels and stories, and if it’s anachronistic to set a book right after Katrina. I think many of us are made uncomfortable by the seriesTreme, how it’s rehashing and generalizing what we have moved beyond. How will we write about the quieter, less obvious pressures of living right now in a wounded, mending city?