Balustrade of breeze to rest my melancholy tonight - Matteo Massagrande , 2024.
Italian , b. 1959 -
Mixed media on board , 50 x 50 cm
seen from United States
seen from Australia
seen from Australia
seen from United States
seen from Germany

seen from Türkiye

seen from United Kingdom
seen from Netherlands

seen from United States
seen from United States
seen from Malaysia

seen from Colombia
seen from Malaysia

seen from Malaysia
seen from France
seen from China
seen from Netherlands
seen from United States

seen from Malaysia

seen from Australia
Balustrade of breeze to rest my melancholy tonight - Matteo Massagrande , 2024.
Italian , b. 1959 -
Mixed media on board , 50 x 50 cm
Matteo Massagrande.
/ Matteo Massagrande, The Flower Curtain, 2017
Matteo Massagrande, 2018
Matteo Massagrande
Matteo Massagrande - La porta sul giardino (2018)
Matteo Massagrande (b.1959) - Lago
Oil and mixed media on board. Painted in 2023. 31.5 x 31.5 inches, 80 x 80 cm.
Part of a selling exhibition at Pontone Gallery, Newman St, London W1, 16 Jan -15 Feb 2025.
Compare this to the bollux that Christie's and Sotheby's continue to foist upon us in their contemporary art sales trying to develop a market for no-talent charlatans whose works are only purchased by those foolish enough to have bought other ones previously, in the vain hope of maintaining a value for the dross now hanging on their walls.
Autumn, Matteo Massagrande 2022
(English / Español / Italiano)
In this large panel (the artist often works on smaller formats around 30 or 40 cm per side), Massagrande (1959) seems to play with the tile decorations on the floor, which predominantly feature cool blue tones. Despite the chaotic interplay of patterns, the tiles retain their charm, symbolizing the noble aspect of a building that has become worn and neglected over time.
Also typical of Massagrande’s style are the antique colors of the walls and the numerous windows and doors that turn his interiors into labyrinths with various paths of escape.
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En este gran panel (el artista suele trabajar en formatos más pequeños, de unos 30 o 40 cm por cara), Massagrande (1959) parece jugar con la decoración de azulejos del suelo, en la que predominan los tonos azules fríos. A pesar del caótico juego de motivos, las baldosas conservan su encanto, simbolizando el aspecto noble de un edificio desgastado y descuidado por el paso del tiempo.
También son típicos del estilo de Massagrande los colores antiguos de las paredes y las numerosas ventanas y puertas que convierten sus interiores en laberintos con varias vías de escape.
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In questo grande pannello (l'artista lavora spesso su formati più piccoli, intorno ai 30 o 40 cm per lato), Massagrande (1959) sembra giocare con le decorazioni di piastrelle del pavimento, che presentano prevalentemente toni blu freddi. Nonostante il caotico gioco di motivi, le piastrelle conservano il loro fascino, simboleggiando l'aspetto nobile di un edificio che nel tempo si è consumato e trascurato.
Tipici dello stile di Massagrande sono anche i colori antichi delle pareti e le numerose finestre e porte che trasformano gli interni in labirinti con varie vie di fuga.
Source: 1000 Paintings