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Red
He smiled suddenly. "Fearless Shao Wan—Father God forbade touching them, so she wanted to even more. I planned to steal them for her. But until the demons reclaimed her as heir, I never got them from Father God. She must’ve thought me useless."
👸🪞Shao Wan’s Wild Plan
Shao Wan learns that Meiyin (Mo Yuan's financée) has unrestricted bell access. So she does what any chaotic ex-girlfreind queen goddess would do: She impersonates Meiyin using old magic arts, puts the real one to sleep, and sneaks into the bell chamber like a sneaky legend.
Feng Xing: “This is a terrible idea.” Shao Wan: “Exactly.”
"To live without you, only that would be torture." "A day alone, only that would be death."
HAPPY HALLOWEEN!! :*
Mei-Yin as Morticia Camus as Gomez
[Camus © M. Kurumada / Mei-Yin © LadyLokianna / The Addams Family © Charles Addams]
Saint Seiya OC Aesthetic | Lixue Aimée [Aquarius Camus & Mei-Yin’s firstborn]
February 6th | Aquarius
Happy Birthday, sweetie ❤ ❅
People generally see what they look for, and hear what they listen for.
To Kill a Mockingbird, Harper Lee
Coral Glynn: A Novel [Peter Cameron] on Amazon.com. *FREE* shipping on qualifying offers. Coral Glynn arrives at Hart House, an isolated manse in the English countryside, early in the very wet spring of 1950
Coral Glynn arrives at Hart House, an isolated manse in the English countryside, early in the very wet spring of 1950, to nurse the elderly Mrs. Hart, who is dying of cancer. Hart House is also inhabited by Mrs. Prence, the perpetually disgruntled housekeeper, and Major Clement Hart, Mrs. Hart’s war-ravaged son, who is struggling to come to terms with his latent homosexuality. When a child’s game goes violently awry in the woods surrounding Hart House, a great shadow—love, perhaps—descends upon its inhabitants. Like the misguided child’s play, other seemingly random events—a torn dress, a missing ring, a lost letter—propel Coral and Clement into the dark thicket of marriage. A period novel observed through a refreshingly gimlet eye, Coral Glynn explores how quickly need and desire can blossom into love, and just as quickly transform into something less categorical. Borrowing from themes and characters prevalent in the work of mid-twentieth-century British women writers, Peter Cameron examines how we live and how we love—with his customary empathy and wit.