Memoride 1, Cwondo (2024)
Cwondo has so far used his solo output to noodle around within pop, playing with it, fragmenting it, glitching it, stripping it to parts and rebuilding; on Memoride 1 he now seems decentred and lost, and not in a way that engages. Much of this (particularly the first half) is Indulgent and meandering.
Pick: ‘Wan!’











