Hey!! I just wanted to drop by and say hope you're having a good day and say...Oh my GOD
Those biceps-
😩😩😩 I'm gonna pass OUT
Oh god... How could I possibly be having a bad day with that vision of heaven you just sent? Thank you so much. It's been a while since I checked on Mike. He looks so hot with those short-sleeve fold-back cuffs shirts! His biceps... yummy! 🥵
Better than that just some shirtless Mike Windgren so...
Hope you're having a great day there too, sweetie! ♥
Elvis Presley never set a single foot in Mexico. And yet he was deemed a persona non grata due to a controversy involving quotes Elvis made that legitimately never happened. Unfortunately, because of this official status disallowing Elvis from entering the country all on site shooting had to be done with a body double. Elvis himself filmed the rest of the movie entirely on a Hollywood studio.
This movie marks the beginning of the rivalry between Elvis Presley and The Beatles. Beatlemania had taken hold in the UK in 1963 with the US quickly following behind it. While their appearance on the Ed Sullivan Show wouldn't be until another few months, Elvis' place on top of the pop culture pyramid was being challenge. Does this movie put those fears at ease, or is this an early indication of Elvis' irrelevance? Let's find out.
"Fun in Acapulco" is surprisingly low key and pleasant. It genuinely gives you vibes that you're waking up in Acapulco at a resort by the beach. Then you see Elvis on a boat as a small group of Mexican singers come up and immediately realize none of his scenes will be in Acapulco. Instead, we're stuck with very obvious rear screen projections and Hollywood soundstages throughout the whole movie. There's a small moment of humor when Elvis just yells at the top of his lungs for the Mexican band to be quiet. It's not loud at all but you can tell he had to project to be heard.
Meanwhile we get a very uncomfortable interaction where a heavily implied teenaged girl named Janie is flirting with Mike Windgren. I don't like this plot point especially when we get a male gaze shot of her skirt as she walks away. Again she's heavily implied to be a minor and even in the movie it's seen as being inappropriate for an adult to show interest of any kind. It simply feels unnecessary to include that and doesn't age well at all given what we hear about Hollywood.
Mike goes to a Mexican tavern to meet up with the musicians wearing the ugliest shirt I've seen. Usually the wardrobe does a good job of making amazing outfits, but this is personally a miss. Along the way he meets a young Mexican boy named Raoul in an act of foreshadowing about the relationship they're going to have. "Vino, Dinero Y Amor" and "I Think I'm Gonna Like It Here" are both ok. This is when you realize the main goal of the movie is to sell a soundtrack. Mike also meets Dolores for the first time and I think this was a great way to establish their character dynamic since you easily believe that she's just looking to have fun while she's in town. It's also incredible how so many people smoked back then, to the point where the whole room looks hazy.
Before they get too involved in their dance, Mike sees Janie at the tavern drinking alcohol. I have no idea what the drinking laws in Acapulco was in 1963, but everyone treats this as being illegal. Janie's dad sees her at the tavern despite having no idea that she'd be there. She blames Mike for bringing her there and buying her the drink and of course gets him fired because that's the most obvious set up in the world. There are so many issues with this scene I won't take the time to explain it all. It's just so pointless to even have this plot point since we literally never see anyone outside of Dolores' camp ever again and only exists because we needed to have some reason to have Mike leave his job to team up with Raoul.
Raoul informs us with something that will never lead to anything important plot wise. Mike would need to have a very specific VISA to work in Mexico. This actually makes sense given that Mr. Harkins isn't a Mexican citizen and therefore didn't require Mike to have a VISA. But since Raoul has an insanely high amount of connections he's able to get Mike a singing job while he fills in for a singer we literally never see in person and is always "out".
The logic of this surprisingly works since it's clear Raoul has genuine connections with numerous businessmen, but I'm just bummed that we never see who the actual singer is since it could've added conflict. You would think that the conflict would involve Mike working without a proper VISA and his rival planning to reveal that fact. But no, it's never brought up in a way that makes you think Mike has to worry about possibly being deported.
Raoul picks up Mike on his bike. As much as it's cute to have them sing "Mexico" Raoul's singing vocals just didn't sound right. I know he's a pre-pubescent boy but at times you just cringe when he hits the high notes. So we get introduced to Moreno but uh oh Mike looks nervous about seeing him jump off a diving board because we need foreshadowing. Mike agrees to work as a lifeguard during the siesta so no laws are being broken. Mike gets on top of one of the diving boards and we surprisingly get a backstory. Mike is a trapeze artist and we see with no dialogue how during a performance he dropped his brother. The silent horror on his face when he saw his brother lying on the floor dead, was so well done by Elvis. It isn't realistic to have everyone react to a trauma by screaming. With Mike he felt instant shame to the point where he had to look away.
That memory was so brutal, Mike of course stepped down from the diving board feeling haunted. The worse thing about the incident is that it could've been avoided. Circuses started using safety nets in the mid 19th century, so the fact that you never saw one indicates overconfidence. Sadly when you're a trapeze artist, there are people who are so confident in what they do, basic safety precautions are neglected. In Mike's brother's case, it sadly costed him his life and Mike now has to live with that guilt. He sends a telegram to his parents and it's obvious that this is a deep trauma that he couldn't recover from at home. This should've been the focus of the whole movie because it's the only thing I feel invested in. The aftermath of someone's death, especially in avoidable circumstances, rarely gets to be the focus and this would've been the perfect way to change that.
Mike sees Moreno and a woman named Margarita Dauphin. Moreno has a lot of issues with Mike being interested in her, and it's genuinely reasonable since they're actually dating. Mike meets Margarita and her father where he works as the head chef. I'm impressed he can cook so well knowing that he's a former Duke. We get a brief history lesson that they came from an unnamed European country (I personally believe it was Hungary since their monarch was abolished in 1946). This basically means that Mike is talking to a Duchess despite no longer having the title.
"El Toro" is a great song with an even better outfit. In a way it really honors the history of bullfighting and the bravery bullfighters have to possess. After his performance, he turns down publicity pictures. As much as it's rude, you understand why he doesn't want the attention. He's still working through his grief and doesn't want word getting out that he's in Acapulco since that would result in people asking him very uncomfortable questions. Mike runs into both Dolores and Margarita. Despite dating Moreno, Margarita is clearly jealous that Dolores has Mike's attention as well. Mike goes to see a man dive, and he's clearly traumatized from looking over the railing. Raoul organizes for Mike to sing a song at the restaurant. "Margarita" while good, is just a drag in terms of the story. Mike tries again to dive, but of course is too scared. He climbs back down and I love that Margarita and Raoul don't make fun of him. They surprisingly handle his trauma with respect.
Mike performs "The Bullfighter Was a Lady" and he looks even better in this scene than "El Toro". This time he's specifically honoring Dolores since she's one of the best in the business. Female bullfighters even to this day are rare because of how dangerous it is. Margarita of course is jealous despite outright being on a date with Moreno. Dolores of course knows this and doesn't care. Because at the end of the day, Dolores isn't doing anything wrong. Margarita is the one who wants to 2 time with Mike.
So the two leave and we get a "serious conversation". Dolores makes it very clear that she has no interest in marriage and only wants to have casual relationships. I love that openness since for the 1960s, a career girl wasn't as well respected. "(There's) No Room to Rhumba in a Sports Car" is the clunkiest song ever. You could just cut it and nothing is lost.
"Bossa Nova Baby" is great and there's a reason why it's so iconic. If you slowed down the playback you would see that the average person couldn't replicate this. After his performance, he wants to go see Margarita but notices Dolores is there too. Dolores is tied up with a tourist couple that I wanted to be Mike's parents so bad. Instead we never see them again. It just makes you wonder, what was the point?
In the morning, Raoul asks Mike what club he wants to work for. We see a different filming technique by showing these phone calls in a split screen which I thought was a neat touch. Mike however stalls since he still wants to get with Margarita. He meets with Moreno and Moreno things happen. Moreno meets up with Dolores manager, Jose. Jose reveals that he knows about the Flying Windgrens. Absolutely nothing important will happen because of this. Dolores arranges for a party to be arranged the next day. Margarita of course doesn't like it and makes an offhand remark to her dad that he should poison Dolores. The former Duke though has a dream to have her get married to an American so they can both get VISAs.
This is when the movie drags. Even though he reveals his trauma to Margarita it's just so shallow because the scene quick cuts to Moreno finding the truth. That's also so rushed since as soon as he finds the newspaper article we immediately cut to Dolores' party. This is the only time we see Mike's family and it's such a waste of a good story to not see them interact with Mike in person.
"You Can't Say No in Acapulco" is pretty good for a poolside ballad. In a way it really reflects the sadness Mike feels. We see Moreno dive in preparation for his upcoming cliff dive and to entertain Dolores' guests.
Raoul tells Mike about Margarita's desire to get a VISA, and Moreno tells Dolores about Mike's traumatizing past. Dolores becomes cold for no reason as she acts so disappointed that Mike is a "chicken". Mike despite feeling very hurt just walks away. Raoul meanwhile never leaves his side and it's pretty sweet that he does care about Mike beyond what he could do for him.
The former Duke clears things up with Mike. He explains that it was really his idea to get the VISAs. It was never meant to hurt anyone. He tells Mike that Margarita has gone to see Moreno dive for a famous astronaut.
As he leaves, Moreno somehow knew he would be there and follows him out of the staff's kitchen. He keeps making fun of Mike for being a coward and I have no idea what this is meant to accomplish. Moreno was already a jerk so him knowing this information doesn't change anything. While I can see how it'd be him going too far, the timing is so off. Mike should've confronted him about it as soon as told Dolores.
We see Red West in the background who cameos in a couple scenes and it's amazing that he doesn't interact with Elvis at all since usually Elvis' friends had a line or two when they did cameo. They get into a fight and I have no idea why no one's stopping them. This is essentially a crowded entrance so you would think security would break it up because of the other guests possibly getting hurt from it. Moreno gets badly injured and Mike is able to just walk away with no resistance which would never happen in real life. Unable to see Margarita he goes around the club and hears from Raoul that the dive would otherwise be canceled. I understand a lot of people think this was a cheap way to resolve his PTSD, but given how the 1960s didn't really acknowledge it outside of the military I thought it was a good shot.
The cliff scene is one of the best scenes in the movie. Mike had no obligation to fill in for Moreno, but he did it anyway. This wasn't a rash decision where in an act of heroics he stepped in. He knowingly did it with the full knowledge that it could get him killed. The near silence that comes with watching him ascend even though it's a body double for most of the scene is beautiful. Everyone watching this knows it's a risky thing to do.
Even though I'm not religious, it's very important in Mexican culture. Seeing Raoul cross himself and Mike pay tribute to the shrine on top of the cliff was absolutely necessary. Given the danger involved, it makes total sense to send a prayer. Mike had to do this before he made his jump. Symbolically speaking, he's asking for his brother's spirit to keep him safe and him diving into the water served as his baptism or rebirth. He's no longer consumed with the grief and guilt of his brother's death. He's a new man that's willing to go back to his family with his new love Margarita and his friend/manager Raoul.
"Guadalajara" is a well deserved happy ending. Moreno at least admits he was wrong to call Mike a coward. I guess with him being interested in Dolores, his relationship with Margarita is over. The song itself is good but it does drag a bit. It's almost like they didn't know how to fill in the runtime which is so weird.
Margarita despite somehow getting back with Mike still looked a little jealous when Dolores kissed his cheek. I don't think this couple will last. Mike had more chemistry with Dolores but she out of nowhere turned standoffish. It's all boring and forced to the point where Mike has his best relationship with Raoul who's a 10 year old. I just really wish that Mike's relationship with his family had more focus. The pieces were there. It's just very unfortunate that a man expressing grief wasn't something worth focusing on back then.
I think this is the first time reviewing these movies where I felt bored watching it. As much as I love the diving plot, the romance is a drag. It feels like the writing took a step backwards regarding what makes an Elvis vehicle interesting. Instead of making the romances engaging they're instead so forgettable that it's like they just included it because it's part of a checklist. I will say that it did do a good job highlighting La Quebrada Cliffs by making them integral to Mike's character arc since to this day it's a popular tourist attraction.
Because the diving plot gave me something to feel invested in, with the final dive providing a genuine sense of tension I give it a 7/10. If you're a new Elvis fan this should not be the first one you see since the songs can be very distracting, and nothing is developed enough to keep your attention. Now if you're a seasoned fan is it worth re-watching? Yes. I think you can watch it every now and then, but it's definitely the film equivalent of cotton candy: something you consume and forget relatively fast. Genuinely the first stumble in the road for Elvis' movie career where I didn't feel overly passionate about anything. And for someone in the entertainment industry, that's practically a death sentence.
