Max and Kimi at Circuit Gilles-Villeneuve on May 24, 2026 by Rudy Carezzevoli

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Max and Kimi at Circuit Gilles-Villeneuve on May 24, 2026 by Rudy Carezzevoli
Visual Language Things in Improbable Cause/The Die Is Cast that are driving me INSANE
the stuff they do with light and shadow in these episodes is just. someone went 'I know artists who use subtlety and they're all cowards' and they were so right for that
are you telling me... that this man is caught between light and dark in this moment and hasn't yet decided which side his soul is going to come down on in the end. hm. interesting. (especially cool that when the shadows of his face are lit up in the runabout at the end, that's when you see the damage underneath. he's partially made that choice and he's illuminated, but not by a comforting light yet, those are danger colours. odo and garak bonding on a day trip to hell; the episode)
I think this shot is ultimately my touchpoint for the visual language set up in this episode -- julian bashir standing there in 'wherever you have to go, come home to this afterwards' light as garak walks into the shadows (and towards tain). where does the light in his life come from currently? we may have a clue before us folks
(This one is literally just because his expression here makes my chest feel weird and aching. oof. I feel like this is one of the rare times he lets himself be really openly soft because he must know there's a decent chance he's not coming back)
aaaand what's the very first thing that greets him once he 'returns to the light' so to speak? :) little bit of a moral and emotional horror show in the middle there admittedly but thanks to odo he did come home and no one like. died or anything. well. many many people died but that honestly wasn't his fault or responsibility. we'll call it a victory
some really cool odo shots too in this ep. I love you constable this was so fucking extra for no reason
fun little detail: when the defiant starts shaking upon taking fire, Julian immediately puts his hand on Garak's shoulder -- the same way and on the same side as Garak did to Tain minutes before, when Odo had to fucking. knock him out to make him let go. (again: odo I love you. a direct and decisive thinker above all)
Alicent looks at rhaenyra and sees The Good End sees so clearly what her life COULD have looked like while rhaenyra scowls and scoffs at for not being good enough when alicent would do ANYTHING for a life like that. And she tells rhaenyra to accept it. And rhaenyra looks at daemon and sees exactly to a T what her life would be if you she was TRULY afforded freedoms. And he shrugs and tells her she can have it. And daemon looks at rhaenyra and sees someone who Understands what it means to speak Valyrian and ride dragons and operate on a completely different playing field than any of the other houses. And they ALL. look at Viserys with a mixture of affection and contempt
As someone who dropped BNHA, it really disappoints me to see the new trio being Deku, Bakugo and Todoroki. Uraraka and Iida were just iconic.
Mirrors! MIRRORS MIRRORS MIRRORS!
Mir-MIRRORmir. MIRR! Mirror mirrormirrormirr. MIRRORSMIRRORSMIRRORS!!!
Mirrors.
#Borderlinebrilliance
May 15th - Mirrors! Post a photo of something that you feel expresses how you relate to the phenomenon of mirroring. This could include traits or characteristics of another person or character that you’ve adopted (even temporarily) into your own identity, a trait/characteristic/mannerism you’re prone to mirror while in the presence of another person, or a trait/characteristic of another person or character that you want to be able to mirror.
Solar heir.