SOME MAY CALL IT DESTINY: two
Parings: hollis x film!photographer!reader
tags: fluff, slow burn, strangers to lovers, mutual pining, miscommunication.
in which y/n and hollis always seem to run into each other at erewhon ( no specified timeline)
You had told yourself that it was convenient. It was not particularly convenient— it was forty minutes from your apartment, as it had always been— but you told yourself that, and you kept telling yourself that when you made it a part of your schedule to come on Friday evening with a reliability that your bank account was beginning to notice.
He wasn’t there the first Friday you came on purpose.
You bought a twenty-dollar juice and felt like a complete and total idiot.
He was there the second Friday.
You almost walked into him coming around the corner. He caught your arm, just briefly, to stop you colliding— his hand on your sleeve, gone almost before you could register the feeling— and you both stepped back.
“My fault,” he said, which it wasn’t.
You stood in the too-narrow aisle and looked at each other as the store move around you, soft and slow, someone’s feet landing against the tile.
“I was going to get a smoothie,” you said.
“Yeah,” he said. He paused. “i’ll walk over.”
It wasn’t exactly an offer. It wasn’t a question. It was just a. statement of what was going to happen, delivered so quietly that you almost missed the significance of it.
You walked to the smoothie bar. Waiting in line— he stood directly beside you.
You talked— not a lot , not the way people talk when they’re trying to impress each other, but in the low, unhurried way of people who are comfortable with silence and not quite comfortable with each other yet. He asked what you did for work. You told him film, interiors, and sometimes portraits. He listened like he was taking in what you were saying, not just waiting for his turn to talk.
He looked at you sideways. “Music.”
There was a beat of silence. “Come to a show,” he said, “and decide for yourself.”
Your smoothies came up. You both reached for yours at the same time— your hands didn’t touch but they almost did, you stepped back saying something about liking that answer, and he looked at you with those level, considering eyes and said nothing, which somehow said everything.
You left separately. He went first. You watched him walk through the glass doors into the cool evening, hands in his pockets, unhurried.
You drank your smoothie— phone in hand, looking up his name.
The whole ride home you listened to his music. Then you pulled into the parking garage and kept listening.
You hadn’t outrightly said yes to the show.
But you also hadn’t told him no.
Told yourself it was for research. You were a photographer; you attended shows all the time; this was professional interest, cultural curiosity, nothing with a specific name.
The venue was medium sized, packed to the brim, and loud in the way that rattles your skeletal system. You stood near the side because because that was the safest option— and that’s where you always stood; camera bag on your shoulder, and when the lights went low you felt the shift in the room the way you always did— that collective inhale, the moment before.
He was different on stage.
Not unrecognizable— still that same stillness, that same quality of taking up as much space as he needed— but expanded somehow, like a frequency you hadn’t been able to fully hear before was suddenly audible. You lifted your camera and started snapping pictures without a second thought, the way you did when something was captivating.
Afterward the crowd pressed and shifted, you were moving toward the exit when someone touched your shoulder.
It was his security— telling you to follow them.
He’d just got done taking pictures.
When you made it to where he was he walked up to you, he was closer than the venue’s noise level required. He looked at you with an expression that was more open than any you’d seen yet, something running underneath it that he hadn’t let you see before.
“Yea, I did,” you said back.
A pause. The crowd moved around you.
You looked at him. The base was still in your chest, humming. The photos were already in your camera, real, exposed, and undeniable.
“Hmm. I think I need to hear it again,” you said, “just to be sure.”
His mouth did the thing again. The almost-smile. Slower this time, more deliberate, like he’d decided to let it happen.
“I can arrange that,” he said.
The crowd thinned around you and you stayed in the noise of the dimmed light and the thin gravity of something beginning, something that had already begun weeks ago in an LA grocery store, in the space between eye contact and words that were both said and not said.
His hand found the side of your camera bag and he adjusted the strap— just slightly, where it had been digging into your shoulder— without asking, or making it a big deal.
“Come on,” he said. “I know somewhere we can get food that doesn’t cost twenty-two dollars.”
You laughed. A real one, surprised out of you— semi loud.
He looked at you like that sound was something he’d been waiting for.
You followed him out into the Los Angeles night, the city was loud, bright, and indifferent. You were thinking about how you’d started all of this because you needed more oat milk, and how nothing about it felt like an accident anymore.
The diner was in Silver Lake, a booth by the window, vinyl seats, coffee that tasted like it had been sitting all morning, and a laminated menu. It cost eleven dollars total. You didn’t say anything about that but you both knew.
You sat across from each other. This was the first time you’d been across from each other— every other time you had been side by side, looking at the same shelf, standing at the same smoothie bar— the same stage. Facing him directly was different. You had nowhere to divert your eyes except directly at him.
“You shot the whole set,” he said. Non accusatory.
“I always shoot when something is worth shooting.”
He looked at you steadily. “Can I see them?”
He wrapped both hands around his cup. His hands were careful-looking, steady. You noticed things like that— it was the photographer in you, or so you told yourself.
You thought about it in a real way, not the rehearsal way you answered at openings and in artist statements. “Because you can’t see it right away,” you said. “You have to wait. And when you finally do see it, it’s either there or it isn’t. No adjusting. No fixing it in post.” You paused, “I like that it’s a commitment.”
He was quiet for a moment. “You like that you can’t take it back.”
You stared at him for a moment. That wasn’t quite what you'd said, but it was closer to what you meant.
He nodded slowly, like he was turning that over. The diner hummed around you. Someone’s pancakes arrived two booths over. Outside, a car drove past with its windows down, music blasting— then gone.
“What are the interiors for?” he asked. “The project.”
“A book, maybe. Or just for me . I don't know yet.” You pick at the paper placement in front of you. “ I've been shooting the same kinds of rooms for two— almost three years. Spaces that feel empty. Not abandoned— just. momentarily empty.”
He was watching you with that full, unbothered attention.
“Like something’s about to happen,” he said.
“Or just finished,” you said.
There was a momentary pause. Something moved across his face, quiet and sudden.
“I’d like to see them,” he said. “The interiors. Not just the show ones.”
“Okay,” you said. You didn’t say it lightly.
He knew it wasn’t light. You could tell by the way he received it— not fully acknowledging it, just a small nod, showing you that it mattered and he understood.
You guys stayed until the diner got quiet and the coffee got cold— the server filled you guys’ cups twice before out of what seemed like pure and genuine sympathy. You talked about LA the way people take about any city they have a complicated relationship with— not quite with complaint, or love, but something more honest. He’d grown up around music and distance. You’d grown up somewhere flat and quiet— leaving at the first given opportunity.
“Do you miss it?” he asked. “Where you’re from.”
“Sometimes. The quiet.” You looked out the window at the streetlights. “LA is always awake. And loud.”
“Yeah,” he said, and you got the sense he understood that specifically, not just generally.
He paid before you could argue. You let him, and he didn’t make it a gesture, which you appreciated.
Outside it was cool, that particular cool that catches you off guard in May. You stood on the sidewalk and he stood next to you— neither one of you guys made an effort to head towards your cars.
“I’m over there,” you said, eventually. Gesturing.
“i’m down here,” he said.
“The photos,” he said. “When you develo—.”
He stared at you for a moment, that intense gaze that you still couldn’t read completely and were beginning to think you weren’t supposed to— that it was something you’d have to accumulate slowly, over time, light light on film.
“Good night y/n,” he said.
“Good night hollis,” you said back.
You walked to your car. Not looking back, but you heard him head in the other direction, staying aware of his surroundings— while you stayed aware of the sound of his footsteps until you could no longer hear them anymore.
You sat in the dark car for a moment before you started it.
taglist: @2bun22. @luvvconceal. @spectranix. @sweet2sin. @kingoveverything. @glitterandviolence13.
a/n: an arm and a leg for a singular smoothie…i’ll bl*w that whole place up