pulling out some more old art 💜🤘💎 punk rarity my beloved
seen from Germany
seen from Australia
seen from Netherlands
seen from Iraq
seen from United States
seen from United States
seen from Türkiye

seen from Germany

seen from United States
seen from Germany

seen from Canada
seen from France

seen from United States
seen from Suriname
seen from Russia
seen from United States
seen from United Kingdom
seen from Pakistan
seen from Pakistan

seen from Poland
pulling out some more old art 💜🤘💎 punk rarity my beloved
shes so dumb i love her!!!! 🦋
It's that time again :)
Starlight: Will you two can it?!
Celestia: That's not a very Twilight thing to say.
Starlight: I don't care! So I'm not Twilight. Maybe she's really great at helping people work out these arguments, maybe she's really patient and caring, even though it must be hard for her having to be the adult for a bunch of super-powered children!
Luna: We're both thousands of years older than you.
Starlight: Then act like it!
“grungity.png”
so i drew grunge rarity from the new episode..
she works so well with a grunge look and its so unexpected, because she’s so fancy and whimsical
this picture looks so 2001 and its amazing
but uh
has anyone else noticed how rarity is showing a lot more “alternative” traits.. like she can play guitar extremely well and now this? what are you hiding you “high-class” pony
M.A. Larson Roasts the Fandom
Well, originally it was his, at least. From what we can gather, it seems this was an old script they had lying around from when Larson worked on the show, and they’ve retooled it to work for the current season.
Who exactly did the rearranging is still a mystery, although if I had to throw a guess out there, it would make sense that this season’s story editors Joanna Lewis and Kristine Songco (otherwise known as the Lady Writers) were the ones giving the script its updates.
If so, that explains why it came out so fantastically despite Larson saying he wasn’t happy with the final product.
From what very little I know about the industry, it’s not uncommon for writers to watch their scripts be turned into something totally, soul-crushingly different from their original vision. So, I’m hoping that behind-the-scenes communication issue is fixed. Even if it doesn’t always affect episode quality, we ended up losing a good writer over it, and I can’t imagine it feels good to put your heart and soul into something only for it to be changed before it airs.
That being said, it’s almost ironic that it happened with such a meta episode. Larson usually gets blamed for the Twilicorn fiasco despite his original script being totally different. So it’s kinda funny that Magical Mystery Cure got him flak for years and this episode — which ended up being sort of an encore after his grand finale with Amending Fences — is yet another episode that was changed without his consent but this time it ended up being pretty well loved (on the whole).
Life has a weird sense of humour like that.
I had to start with that behind-the-scenes stuff because I’m shocked—shocked—that they managed to make an episode that’s somehow even more meta than Slice of Life.
Not only that, but because of its weird production history it’s an episode that perfectly blends the old feel of MLP with the new. I really can’t tell you how much of Larson’s script they kept intact (he seemed to imply not a lot, but it feels so much like classic MLP that I almost refuse to believe some of this stuff wasn’t from him), but this is such a weirdly perfect episode because it brings that Return of Harmony feel to the season 7 version of these characters and this world.
And to top it all off, as a long-time fan of the show whose been in the fandom since season 2, the ponifed mirror it holds up to the fans is just hilarious.
Pictured above: us rn
Like, actually the best thing. It’s a funny episode for causal fans, but for hardcore fans, it’s amazing—and any commentary that can add a layer for those in the know, but not detract anything for the little fans or casual viewers, is just golden.
It also sort of exemplifies what there is to love about Larson. Even if nothing but his original concept ended up being used (still don’t believe that), it makes perfect sense that this came from him. The smart edge he was willing bring to Pony will forever be missed.
But, at least we have one last hurrah! Sort of. So without further introduction, allow me to fangirl over and pretend to analyze an episode about the dangers of missing the point by over-analyzing!
… wait.
Not Just a “It’s Just a Kids Show” Argument
Okay, so when you’re a huge fan of cartoons made for children, you tend to come across this argument a fair bit: it’s just a kids show. Why are you looking so deep into it? Don’t over-analyze it, it’s made for kids.
At glance you might think that’s what this episode is arguing, too, that if adult fans want to watch, they should keep in mind that it’s just for kids and not overthink it.
But that argument tends to come with the connotation that kids shows aren’t deep at all and can’t be meaningful because they’re made for kids. And it doesn’t take me to tell you, a cartoon fan, that that’s just not the case.
This episode isn’t devaluing what kids enjoy, or even saying all deep thought over what was intended to be fun, silly, and heartfelt is bad. But it is a reminder not to get so lost in that overthinking that you miss out on what the show’s really about: the fun, silly, cute horses learning cheesy, but still incredibly earnest lessons on life, love, and (of course) friendship.
And this isn’t exactly a middle finger to the fandom, either---I’ve seen it taken that way a few times, too. If you remember Slice of Life and even the convention scenes of Stranger than Fanfiction at all, you’ll remember M.A. Larson (who wrote Slice of Life) and the rest of the staff actually love our creativity and world-building. They dedicated an entire episode, the show’s 100th, to characters the fans created themselves.
And yes, even our analysis community is well-loved by the staff if Quibble Pants is anything to go by (his character may grate on Dash’s nerves from time to time, but he’s also portrayed as incredibly smart, inventive, and learns a lesson in the end to become a better pony).
So, please don’t misunderstand: they do still love our passion and even our crazy, overly-deep ideas, and you can even make criticisms if you want (I wouldn’t go so far as to say it’s an anti-criticism thing, either), but the point is that we need just need to keep things in perspective, or else miss out on the fun of it all.
And, that this show is meant for kids. Not “just for kids,” like that’s a bad thing, but that kids are, have been, and will forever be the target audience, and that’s something we should always have a respect for.
I’ve always loved that about the staff. That they have a great love for the young fans of the show, and they’ll always put them first. It’s the way it should be, even with a an older fanbase that they also love dearly (despite our many, many flaws; which come to think of it mirrors the lesson the mane 6 are trying to teach).
So, yeah, this is one of the funniest lessons the show has had to date, and but also one that carries a lot of meaning, for fans young and old.
I warned you that this would be a lot of fangirling.
Character Growth, Comedy, and Criticisms
God, this episode has so much going for it… I’m just sitting here trying to think of where to start and remembering just how much there is to enjoy here.
Okay, for starters, he nailed the fanbase’s biggest hangups over the years:
Fluttershy: Learning the same lesson over and over Pinkie Pie: Considered flanderized when she seems too silly/not grounded in the moment (think Filli Vanilli, the colouring book in Princess Twilight Part 1, or the balloon distracting her in Three’s a Crowd) Rainbow Dash: Hardcore fans claim she’s perfect, is best pony Twilight: Was better before the wings, or would’ve been better if ____ had happened Applejack and Rarity are hilariously switched. Rarity is the background pony getting all the criticism every time she does anything (has an episode), and Applejack is the one that’s praised to the point of obsession.
Spike, ironically, doesn’t have a role in this episode, and you can tell just based on some of her lines that Starlight took his spot in the rewrites (Spike totally would’ve stayed behind with Rarity in the exact same way). I’m a bit bummed they didn’t put in a joke or two for him, because he did write in that journal, too. They could’ve even commented on whether or not he’s considered part of the friend group (a major character or a supporting character), but there’s only so much running time.
I love that the CMC just got popular on the playground for their entries. Like, no drama there, they’re just loved because they’re adorable and sweet, and isn’t that accurate though?
Also: they actually are going to have an episode later this season about that summer camp idea they had, called Marks and Recreation. And some people wonder why I love the later seasons.
And I like that by calling some things out in-episode, like Fluttershy’s baby steps or Pinkie’s silliness, they actually get a chance to say, yeah, you might be legitimately right, but here’s how they’ve grown as characters.
Even just listening to some of the lyrics of the song: Rainbow Dash’s ego is huge, but it gives her the courage to fail, Pinkie might seem overly excited on the outside, but it’s just because she’s so excited to be with her friends. Twilight’s was a bit rushed to get to the chorus, but aside from hers, they each get at the heart of why these characters are so compelling and endearing and I just?
I just really love that.
Oh and I want to take a moment to appreciate the design of the song, because Daniel Ingram puts in so much freakin’ thought to these sometimes. The point of the song is that their flaws are what make them who they are, and by extension make them friends, so what does Ingram do?
Not only gives them each a verse to detail one of their biggest flaws, but lets them come together in perfect harmony for the chorus. That perfectly matches the meaning of the song.
If it sounds similar to another season 7 song because of that harmony, you’re not wrong: it’s similar in structure to Until the End of Time (or was it When We’re with Our Team?), only that was half a joke song: the point was that in comparison to Starlight and Trixie, the girls have a ridiculously easy time getting along. Super catchy and upbeat, but also a lot more vague than Flawless because it’s focusing on just how well they get along after all this time of being friends. So, this episode’s song ends up being the more meaningful of the two.
Oh, and then there’s Starlight Glimmer in a supporting role! See, this season has been letting her play the supporting role instead of always being the star or costar in her appearances, which really helps integrate her more and more into the cast. Even though she comes up with the idea of showing the girls they’re appreciated, she doesn’t overshadow their efforts to solve the problem.
A part of me doesn’t like that she had to take Spike’s role in the episode to do it, and again, that would’ve been remedied if Spike had a small joke about being on the run from crazy fans asking how close he is to Twilight and the girls really. It’s not like whoever revised this episode didn’t have a great sense of humour too---if nothing else, our Mystery Editor(s) definitely must’ve put in Starlight’s line about needing to copy the Communist Manifesto, so I’m sure they also could’ve reworked something funny for Spike quickly.
But at least we have a Spike episode this coming week to help make up for it.
Back to this episode, can we just.
Can we JUST appreciate the comedy?
Not even ‘oh this episode made the giggles’ but just like... the sheer variety of kinds of jokes? We had slapstick, we had sight gags, we had things floating into frame, we had the frame moving over to the punchline, we had ridiculously hilarious expressions, character humour, smartly written lines, and to put the cherry on the cake of course, we had meta humour.
Like, this episode is a comedic gold mine.
It makes me appreciate the different kinds of humour the show has to offer. Dr. Wolf just recently made a video on the lack of slapstick in MLP in recent seasons, and as a fan of director Edgar Wright (Scott Pilgrim, Shaun of the Dead, Hot Fuzz, At World’s End, Baby Driver, etc), I recently watched a video on how he does visual comedy like no other director. Give it a watch if you’re interested.
So, yeah, since most episodes have one or two styles of comedy they rely more heavily on, it’s just refreshing to get a full buffet.
Oh, but even after the lesson, I should probably still say something critical in this this critical analysis, shouldn’t I?
Well, fine.
For one, the townsponies viewing the mane 6 differently once they know their personal thoughts is somewhat reasonable, but if you take a step back from the meta of the episode, it does put this episode in the category of: the town acts like jerks for an episode... episode
I find it hilarious and don’t have much of a problem with it, but I realize that for some, this is an actual problem because this is supposed to be such a loving, kind world.
At least this time there’s a reason for them to go total Jerk---unlike, say the marketplace in Putting Your Hoof Down or the squabbling delegates of Princess Spike---but for some this is going to be an issue.
Also, you have to wonder if they censored some things in the journal, because otherwise, everyone now knows Daring Do is A.K. Yearling...
... unless that’s what upcoming episode Daring Done is about. Have I mentioned I love the continuity in this show?
Oh, and I think I might make the details section its own post this time. Normally save a space at the bottom to highlight small details I liked in an episode, but this post has already become a huge love-letter, so I should probably spare your dash from being eaten alive.
So, overall, to me, this episode is kind of masterful. Larson was definitely the man for the job: I can’t think of anyone else who could so eloquently put the fandom in their place without straight up insulting them---or have the cojones to try! All while reminding the fandom of all the reasons there are to like the show in the first place!
Brilliant in concept, and in execution, so even though I spent this post praising Larson himself, I’ve also gotta give some love to the current staff members for this one. Like I said, it blends classic MLP sensibilities with all the polish, development, and emphasis on continuity of the current seasons, and for that, it’s a truly unique, wonderfully insightful episode.
And right off the heels of The Perfect Pear, which was an emotional masterpiece in my eyes, too! Right now, I’ve gotta say, it’s good to be an MLP fan.
Need more pony? I always do. That’s why I have all these episode reviews and editorials for you! And to make it easier, have the last three things I’ve done:
Hard to Say Anything Review, Honest Apple Review, and SciTwi v.s. Twilight
Year of the Pony
Special Thanks to Millennial Dan on Deviantart, who made the Microphone vector for the logo! And Kishmond for the book vector!
Is MLP Officially the Most Meta Cartoon Yet or What?
We're not flawless, we're work in progress! We've got dents and we've got quirks, but it's our flaws that make us work, yeah!
The Mane 6 in ‘We’re not Flawless’, MLP S7 Ep14, ‘Fame and Misfortune’.