Mo Costello, Untitled (Moreland Ave., II), 2025.
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Mo Costello, Untitled (Moreland Ave., II), 2025.
BODIES LIKE THESE Bodies like these: The Counter-Archive of Elle Pérez by Mo Costello for Marcelo This is not a work of history. It is a report full of...
our only choice is to keep gathering
Mo Costello
Photos by Jaclyn Wright, Anni Leppälä, Mary Kang, Mo Costello, Romualdas Rakauskas, Ye Fei, Russell Joslin, Randall Mesdon, Aubrey Hays and Michael Northrup
mo costello providence, 11.14
mo costello. providence 2014.
Mo Costello: Background Noise
What do you not understand? Finances Do you have anything that moves in your home? Several generations of mice What smell have you been encountering lately? Clitopilus prunulus
What are you most afraid of? Amanita bisporigera
Where do you spend your free time? The Woods What is good? Kindness How do you manage? Walking What do you spend a lot of time thinking about? Mushrooms Instagram is: Artificial Sweetener What do you hear right now? Latin Hip-Hop from the Tenants across the street How do you feel right now? Hysterical What are you? Quiet What is the problem? Greed What's the real problem? Fear What calms you? George Shearing What do you try to avoid? Cell Phones What's the strangest thing you've seen recently? A priest emerging from a homeless shelter, shaking, laughing. You are: Deeply Grateful Photography is: Maddening Society is: Forgetful The world is: Listening The universe is: Holy
Mo Costello: On Photography
When did you become interested in photography? As a child I would make long and elaborate written records of everything including the neighbors activities. I would transcribe conversations on the radio and dictate televised baseball games. When I was somewhat older I was given a tape recorder, which was useful until I received a 35mm from my uncle and a copy of The Americans. Why photography? I am deeply committed to photography. My introduction to the medium was in the form of books. Books with which I would spend hours reading and rereading in repetition. A form which allows for both obsession and intimacy and in turn likely fostered within me feelings of fanaticism. What are you currently working on? Until a few months ago, I was a proud owner of a 86 Honda Civic Hatchback. I had gone so far as to remove all the seats and in their place built a modest bed and make shift book case. Recently, I removed the bed, returned the seats, sold the car for a very small amount of money and purchased a much larger van. When I am not on the road making pictures, I am in my studio - a small box constructed of sheet rock, plywood and bits of cardboard. For several months now, this has been the site of a body of work entitled There Will Be Live Dancers, a series of photographs, drawings and sculptures which concern the life of Maximileous Amores and his personal struggle with heroin, mental instability and violence. This work has informed an ongoing dialogue and collaboration with friend and photographer Raymond Meeks.