”Like the tech industry, the electronic music scene is often seen as a progressive space. We align ourselves in opposition to the mainstream, thrive on the sense that we’re building something new, something counterculture — that we might someday change the world.
But how much of that fantasy lines up with reality? In her 1996 book,Club Cultures, Sarah Thornton writes: “Despite their discourse of liberty, fraternity and harmony, raves had distinct demographics — chiefly white, working-class, heterosexual and dominated by the lads. Raves may have involved large numbers of people and they may have trespassed on new territories, finding new spaces for youthful leisure, but they did little to rearrange its social affairs.”
Not much has changed in 2015. We still see male-dominated lineup after male-dominated lineup, at clubs and festivals predominantly run by male bookers and promoters.”
- Femmes, DJs, Raves: Towards More Inclusive Club Cultures, by Alyce Currier