#morsestache

[oeuvrinarydurian]

It’s SNARKY LITTLE SHIT SUNDAY.

There’s so much Snark to choose from in this scene that I literally could not edit it into a GIF. It’s 84 seconds of videotastic delight.

Volume up.

Snark gold. 

[incorrectendeavourquotes]

Endeavour S6

Morse: You're damn right there's something the matter! Something sinister and something grotesque. And what's worse is it's going on right here, under my very nose!

Strange, unconvincingly: No, your moustache is lovely.

[arda-ancalima]

The fandom be like

[oeuvrinarydurian]

Clearly, I’m in a melancholy mood.

The desaturation of “Pylon“ is one of my favorite things about the cinematography of S6. Visually, it may be my favorite episode of all nine seasons.

It’s an entirely new cinematic vocabulary. It’s deeply emotive, with the absence of vibrancy, the cool tones, the greys, the flinty skies- it’s striking.

Without getting into a deep analysis, we have this very bucolic environment, with the color reduced, and we have Morse sticking out to a degree that is unusual, even for him. He’s not only isolated in terms of location and community, but even more so by being relegated to a dark, graphic uniform; masking his emotions even further with a colossal mustache. Physically, visually, he could not be less integrated into his environment. 

We’ve already discussed the shot of him in the wheat field with the Connemara in the background today, which is in fact, my all-time favorite shot. However, the third runner-up (2nd is the last shot of “Confection”, which really deserves its own post and will get one) is this, below.

There aren’t enough superlatives to talk about what’s happening here. The dinky police vehicle in that odd shade of turquoise, the massive dead tree, the distant car traversing the screen from right to left, his head down, his hands-usually so animated - limply at rest…if you went out of your way to find an illustration of despairing loneliness, absence and isolation, I don’t know that you could do any better than this. 

[oeuvrinarydurian]

It’s the

“I Am Adorable”-stache.

[oeuvrinarydurian]

Omar Sharif-Stache

[oeuvrinarydurian]

I was planning on posting the last few moments of “Confection“, to continue sharing some of my favorite cinematic images from the show. However, I happened to have Degüello on, and just as I was getting started, the scene in the pathology lab was airing.

I haven’t shared anything specific to one of the mysteries yet, mainly because what I find most compelling about the show is the cinematography, the backstory/personal relationship throughlines, and the incredible acting. In this case, though, this moment is so staggering that it won the day. Morse realizes that Bright and Strange no longer trust Thursday.

This episode is when I realized how absolutely remarkable the show was. I had been watching it with interest, but it didn’t really get under my skin until right now. There’s another amazing moment I’ll try to share tomorrow.

[pinkiethedalek]

Photo: marina pantskhava on Pinterest/Text: TFLN