moving on
with @mp-zeus
minho was never one to stress over the small things in life — that is, until the day came for him to leave his life of familiarity for one of… well, not that. he’s been a constant ball of anxiety since he woke, packing and repacking all of his things ten times over and nervously asking his mother to walk him through the list of essentials somewhere over six times.
y’see— it’s been a long two years of minho sharing little other than quick phone calls and texts with his father, so the idea of finally meeting him and leaving to an island full of things he used to think could only be real in his wildest dreams proves to be daunting. he’s ever grateful for his mother, then, for offering little utterances of advice and sweet, encouraging smiles that are the epitome of ‘you’re doing great, sweetie.’ he truly thinks himself lucky she hasn’t snapped at him considering how many times she told him to make sure he didn’t have any other packing to do on the day of his departure (and, honestly, he doesn’t have more to do; he’s just so stressed he finds himself nitpicking the smallest of things about it).
it takes another hour of, to put it nicely, suffering before minho finally deems everything to be good enough. he sets his things near the door and spends his last bit of time conversing with his mother, assuring her time and time again that he’ll be okay, he’ll keep in contact, he’ll be back in incheon to visit her one day soon. most importantly, he gives her the pink carnations and white chrysanthemums he’d arranged earlier that week to silently remind her: ‘i love you, and i won’t forget about you.’
( so maybe she gets a bit teary-eyed, but that’s what happens when your beloved only child leaves the nest. )
a knock at the door is what breaks them apart; minho, like the always easily startled boy he is, just about jumps out of his skin. he shoots his mother an uncertain look, to which he receives a supportive smile and a gesture for him to be the one that opens the door.
he’s certain his entire existence gives off the exact vibe he’s feeling on the inside (read: unbearably apprehensive) as he approaches the door and ever so carefully cracks it open. it’s when he sees the man standing on the other side, however, that his facial features turn rather blank.
“oh— are you…” he trails off for a moment, and, for all of his ridiculously high intellect, he finds himself unable to figure out who in the world this could be. he decides to use context clues to the best of his ability in these trying times. “—are you my dad’s chauffeur or something?”



















