jpm and co. - “baby topless (poupee conflable) [“Phantasmes”, 1977]

seen from United States

seen from United States
seen from United Kingdom
seen from United States
seen from United States

seen from United States

seen from Singapore
seen from United States
seen from Malaysia

seen from Malaysia
seen from Australia

seen from United States

seen from United States
seen from Indonesia
seen from United States

seen from United States

seen from United States
seen from Netherlands
seen from China

seen from Malaysia
jpm and co. - “baby topless (poupee conflable) [“Phantasmes”, 1977]
A series about internet history. One internet music "sharing" trend largely unnoticed by the powers that sue was the niche explosion of obscure music download blogs, lasting roughly from 2004-2008. Using free filesharing services like Rapidshare and Mediafire, and setting ...
New batch of uploads to the YouTube channel: Alphabetical Uploads of Whacked Out Singles (Mutant Sounds)
https://www.youtube.com/playlist?list=PLoYQhijs8o3lvywryRW4csP0SGbRT60ED
http://www.youtube.com/c/ratward
The former Mutant Sounds blog authors and musical collaborators of Ariel Pink, Brad Laner and Mercury Rev offer a guided and highly selective tour through outrageous audio innovations from the last 50 years of sentient music making. The show’s intention is to be many things:
A Pirate Utopia In A Panopticon A Magic Carpet Ride On A Pulled Rug An Auditory Suppository For Dilating Your Third Eye An Electronic Cattle Prod For Domesticated Primates An Escape Hatch For Heads And A Head Scratch For Squares
See you on the other side…
MUTANT SOUNDS
Remember when I used to be your favorite blog?
Mutant Sounds
|||
This is incredibly good news. And a huge relief.
This recent Mutant Sounds post of the unreleased Coil/ELpH/Lee Ranaldo soundtrack for Todd Verow's Frisk is worth your time. I haven't seen the movie or read the Dennis Cooper book it's based on, but the former is streaming in full in the clip above. Interesting guitar work from Ranaldo, ranging from his usual atonal patterns to a few quiff-high twangs that could have been extracted from an early Tom DiCillo feature.