Ethel Cain | Waco, Texas | Willoughby Tucker, I'll Always Love You I can wait if I want
$LAYYYTER

Kiana Khansmith

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"I'm Dorothy Gale from Kansas"
almost home
YOU ARE THE REASON

★
he wasn't even looking at me and he found me
tumblr dot com

izzy's playlists!
Sade Olutola
DEAR READER

Andulka

blake kathryn

Product Placement
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2025 on Tumblr: Trends That Defined the Year
art blog(derogatory)
trying on a metaphor
Cosmic Funnies

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@11-9n
Ethel Cain | Waco, Texas | Willoughby Tucker, I'll Always Love You I can wait if I want
BLA BLA Fine Arts – Vitya Glushchenko / Alina Lupu
Walt Hunter
Erris Huigens: Utracone przyszłości / Lost Futures, (exhibition view), Ośrodek Sztuki Lescer, Zalesie Górne, May 16 – June 20, 2026 [Art: © Erris Huigens]
From: «Tout», No. 7, Edited and Published by Ben Vautier, Centre de Art Total, Nice, n.d. [1965], Edition of 250 [Unoriginal Sins, Eals Farm, Eals, Brampton. © Ben Vautier]
I’m 400 years old and still on tumblr
Vladimir Ja. Propp, (1928), Morfologia della fiaba, «Con un intervento di Claude Lévi-Strauss e una replica dell'autore», Edited by Gian Luigi Bravo, «Nuova Biblioteca Scientifica Einaudi» 13, Einaudi, Torino, 1976
From: Vladimir Ja. Propp, (1928), Morfologia della fiaba, «Con un intervento di Claude Lévi-Strauss e una replica dell'autore», (Appendix III), Edited by Gian Luigi Bravo, «Nuova Biblioteca Scientifica Einaudi» 13, Einaudi, Torino, 1976
Gertrude Stein on parts of speech
Nicanor Parra, Antipoems. How To Look Better & Feel Great, Translated from Spanish by Liz Werner, New Directions, New York, NY, 2004
Matteo Gerli, Bourdieu, Latour e la sociologia del giornalismo. Prospettive di ricerca, «Teoria sociale», Orthotes, Napoli, 2024
Soft Cell | Torch (Extended Version/12" Edit)
Mieko Shiomi, A List of the Participants in Spatial Poem (No. 1-4), (photocopy (?), rubber stamp, paper), Osaka, ca. 1975 [Walker Art Center, Minneapolis, MN. @ Mieko Shiomi]
Boards of Canada | You Retreat In Time And Space | Inferno
Black Phoenix: Third World Perspective on Contemporary Art and Culture [edited and published by Rasheed Araeen and Mahmood Jamal between 1978 and 1979 in the United Kingdom], Issue 2, Summer 1978, 60 pages
Mieko Shiomi, Score Field, (two b/w photos glued on black cardboard), 1964 [Fondazione Bonotto, Colceresa (VI). @ Mieko Shiomi]
Robert Ryman
Untitled
1969
acrylic on Mylar panel