On Woolfian Dreams:
[Woman Writing at a Table by Thomas Pollock]
I.
She is working now, in a room
not unlike this one,
the one where I write, or you read.
Her table is covered with paper.
The light of the lamp would be
tempered by a shade, where the bulb's
single harshness might dissolve,
but it is not, she has taken it off.
Her poems? I will never know them,
though they are the ones I most need.
Even the alphabet she writes in
I cannot decipher. Her chair —
Let us imagine whether it is leather
or canvas, vinyl or wicker. Let her
have a chair, her shadeless lamp,
the table. Let one or two she loves
be in the next room. Let the door
be closed, the sleeping ones healthy.
Let her have time, and silence,
enough paper to make mistakes and go on.
— Jane Hirshfield, "The Poet"
II.
She plans to be a writer one day and live in the City of Paris,
Where she will describe the sun as it sets over the
Buttes-Chaumont.
"Today the dawn began in small pieces, sharp wedges of light
Broke through the clouds." She plans to write better than this
As is critic enough to know "sharp wedges" sound like cheese.
She plans to live alone in a place that has a terrace
Where she will drink strong coffee at a round white table.
Her terrace will be her cafe and she will be recognized
By the blue-smocked workers of the neighborhood, the concierges,
The locals at the comptoir of the tabac down the block,
And the girl under the green cross of the apothecary shop.
She plans to love her apartment where she will keep
Just one flower in a blue vase. She already loves the word apart-
Ment, whose halves please her when she sees them breaking
The line in her journal. She plans to learn the roots
Of French and English words and will search them out
As if she were hunting skulls in the catacombs.
On her wall she'll hang a timetable of the great events
Of Western History. She will read the same twenty books
As Chaucer. Every morning she will make up stories...
She looks around her Brighton room, at the walls,
The ceiling, the round knob of the rectangular door.
She listens to the voices of the neighbor's children.
A toilet flushes, then the tamp of cigarette on steel,
The flint flash of her roommate's boyfriend's lighter.
When she leaves she plans to leave alone, and every
Article she will carry, each shoe, will be important.
Like an architect she will plan this life, as once
The fortune in a cookie told her: Picture what you wish
To become, if you want to become that picture.
— Stuart Dischell, "Plans"
