Thoughts : Kumiko, the Treasure Hunter (2014)
The Austin-born Zellner brothers have apparently been circling my radar for a while. The Austin connection aside, I remember finding a score for a film by The Octopus Project on vinyl for cheap one day, and nabbed it. Years later, after a screening of Damsel, I put two and two together that the soundtrack was for the Zellner brothers film Kumiko, the Treasure Hunter, and every since that moment of realization, I’ve had it on my radar to watch this film.
Kumiko (Rinko Kikuchi) is a 29-year old OL living and working in Tokyo. She lives in solitude, accompanied only by her pet rabbit Bunzo and the treasures she collects on her adventures in isolation. During an excursion into a cave, she finds a VHS copy of Fargo, and the only scene she is able to view is the scene where Steve Buscemi’s character buries a bag of money in Minnesota. Convinced that the events she is watching are real, Kumiko takes on a conquistador mentality in hopes of discovering the treasure. She attempts to steal a map of Minnesota from a library, and after a confrontation with her boss, Kumiko decides to move forward with the search for her ultimate treasure she discovered in Fargo. With her former boss Sakagami’s (Nobuyuki Katsube) corporate card in hand, Kumiko leaves Bunzo on a train and boards a plane to Minneapolis, Minnesota in hopes of reaching Fargo to discover the hidden treasure.
The fact that Kumiko, the Treasure Hunter is a recount of a story based on true events that were inspired by a recount of a story based on true events creates one of the oddest (yet subtle) meta-narrative structures I’ve ever encountered. Setting the story in Tokyo adds the dissociative aspect that forces the viewer to search for connection (in this case, it’s the cultural gap played against the shared interest in Fargo), which further enriches the viewing experience. A third layer of experience is added when the film fully kicks into the adventure portion of the film, going in on the conquistador and new world aspects, as well as the shared stories leading to the possibilities of true treasure aspect.
Having the inciting incident for the narrative of this film be based on a key aspect to another film is a very intriguing element to build your story around. It’s impossible not to connect the films once Fargo is introduced, so when mirroring story elements present themselves, it evokes a unique emotional reaction based on our knowledge of how the events in Fargo played out. In turn, the adventure becomes a roller-coaster of emotions as Kumiko navigates her way through a strange new world in hopes of discovering hidden riches. The film provides one of the best meditations on the state of being that is loneliness, landing in the same company as films like Her or Jeremiah Johnson.
The Zellner brothers utilize an extremely playful camera considering the sullen nature of the solitude it captures, often times punctuating a visual joke by stopping and allowing the character to return to the frame for the button of the joke. The score provided by The Octopus Project punctuates each moment brilliantly, heightening the emotion connected to Kumiko’s mental state from scene to scene. The vivid reds and oranges that emit from frames that involve Kumiko doing something for herself keep our spirits up as we partake in her adventure alongside her.
Rinko Kikuchi embraces both the reserved nature of person who chooses solitude with the bold determination of a conquistador, resulting in a strong, silent protagonist being pulled by emotional hopes. Nobuyuki Katsube and his stern adherence to Japanese tradition stand in stark contrast to Kumiko’s uniqueness. David Zellner’s kind-hearted police officer portrayal is an example of the kindness of strangers, and allows for an awkwardly funny cultural and gender gap experience. Yumiko Hioki provides a brilliant voice-only portrayal of an overbearing mother whose ‘good’ intentions turn into the element that drives her own daughter further and further away. Most of the additional characters play small, transitional roles, peppering in different shades of outgoing nature to further drive home Kumiko’s choice to remain alone.
Damsel is one of my favorites of 2018, and having now seen Kumiko, the Treasure Hunter, I think it’s safe to say I’m a huge fan of the Zellner camp. I can’t wait to see what the brothers have in store for the future.
