The post-techno operatic experience Negentropia: O Último Homem na Terra Devastada, directed by Hugo Paquete, was specially adapted for the Dínamo Gallery. This performance transported the audience to a dystopian, post-apocalyptic universe where electronic music, noise, and interaction came together to explore the final moments of existence—"the end of a man in a harsh electronic desert, a post-apocalyptic cloud where existence collapses into madness and suffocation."
Inspired by the works of Jani Christou, Negentropia reimagined and expanded on Anaparastasis I: The Baritone (1968) and Anaparastasis III: The Pianist (1968), elevating them to new heights of intensity. The performance integrated sound, visuals, and staging into a meta-dramaturgy, using improvisation and CO2 sensor readings to evoke a cathartic reflection on human and technological collapse.
This documentation captures the essence of the October 18th performance, held at 6:30 PM at ESAP Porto (Dínamo Gallery).
Info: www.absonuslab.org Production: Absonus Lab Support: República Portuguesa - Cultura / Direção-Geral das Artes