Necklace - Louvre Collection
Inventory Number: E 2152 New Kingdom (-1550 - -1069) Location Information: Location Unlisted
Description:
Ousekh necklace; modern assembly

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Necklace - Louvre Collection
Inventory Number: E 2152 New Kingdom (-1550 - -1069) Location Information: Location Unlisted
Description:
Ousekh necklace; modern assembly
Poppy-Bead Necklace - Met Museum Collection
Inventory Number: 40.9.26 New Kingdom, Dynasty 18, ca. 1550–1295 B.C. Location Information: Location Unlisted
Description:
A large group of New Kingdom bead types are based on flowers or their buds. These elements are found in single strands of beads as well as broad collars, although flowers as components of broad collars seem to be most common after Hatshepsust's time. Two of the most popular floral beads depict the buds of poppies and of cornflowers. Both were staples of the Egyptian garden and were used to fashion fresh bouquets for shrines and floral broad collars. Because the buds of these flowers have a similar shape, it is sometimes difficult to be sure which one is represented.
Hinged Cuff Bracelet - Met Museum Collection
Inventory Number: 26.8.130 New Kingdom, Dynasty 18, ca. 1479–1425 B.C. Location Information: From Egypt, Upper Egypt, Thebes, Wadi Gabbanat el-Qurud, Wadi D, Tomb of the Three Foreign Wives of Thutmose III
Description:
Three pairs of hinged bracelets (26.8.125–.130) are associated with the tomb of three foreign wives of Thutmose III. They are all made of burnished gold inlaid with carnelian and glass that was originally turquoise and dark blue, but has faded. Each is inscribed on the inner surface with the cartouches and epithets of Thutmose III suggesting that they were a gift of the king.
Cuff Bracelets Decorated with Cats - Met Museum Collection
Inventory Number: 26.8.121a New Kingdom, Dynasty 18, ca. 1479–1425 B.C. Location Information: From Egypt, Upper Egypt, Thebes, Wadi Gabbanat el-Qurud, Wadi D, Tomb of the Three Foreign Wives of Thutmose III
Description:
The cats on this bracelet are similar to elements of royal jewelry dating to the beginning of Dynasty 18. The animal was sacred to the goddess Bastet, the benign counterpart of Sakhmet who incorporated the fierceness of a lioness.
Cuff Bracelet with Cat Amulets - Met Museum Collection
Inventory Number: 26.8.122a–e New Kingdom, Dynasty 18, ca. 1479–1425 B.C. Location Information: From Egypt, Upper Egypt, Thebes, Wadi Gabbanat el-Qurud, Wadi D, Tomb of the Three Foreign Wives of Thutmose III
Necklace - Met Museum Collection
Inventory Number: 17.190.1971 New Kingdom, ca. 1550–1295 B.C. Location Information: Location Unlisted
Broad collar of Nefer Amulets - Met Museum Collection
Inventory Number: 26.8.135a New Kingdom, Dynasty 18, ca. 1504–1450 B.C. Location Information: From Egypt, Upper Egypt, Thebes, Wadi Gabbanat el-Qurud, Wadi D, Tomb of the Three Foreign Wives of Thutmose III
Description:
The "nefer" hieroglyph signifies the word meaning "good" or "beautiful," so perhaps this necklace was meant to bring good wishes to the wearer. A collar of this size and craftsmanship belonged to a member of the upper class - in this case, a wife of Thutmose III.
Diadem with a Pair of Gazelle Heads - Met Museum Collection
Inventory Number: 26.8.99 New Kingdom, Dynasty 18, early, ca. 1479–1425 B.C. Location Information: From Egypt, Upper Egypt, Thebes, Wadi Gabbanat el-Qurud, Wadi D, Tomb of the Three Foreign Wives of Thutmose III
Description:
During her lifetime, a queen wore this delicate diadem tied over her wig. The headband not only identified her elite rank but also identified her as a woman participating in a cultic performance. Tomb depictions illustrate high-ranking women wearing similar ornaments when they took part in rituals that likely honored important goddesses like Hathor, Mut, or Sakhmet. The reason for depicting gazelles is not clear, although they are associated with the sun god, fertility, and rebirth—all subjects connected to these great goddesses. Gazelles inhabit the low desert along the edge of the Nile’s floodplain, often traveling in pairs. This habitat probably explains why these animals figure prominently in a significant myth about the goddesses that takes place in that setting.