
seen from United States
seen from France
seen from Japan

seen from United Kingdom

seen from Canada

seen from Malaysia
seen from Canada
seen from Canada
seen from United States

seen from Malaysia
seen from United States
seen from United States

seen from United States

seen from United States
seen from China
seen from United Kingdom
seen from United States
seen from United States

seen from Singapore
seen from United States
Ground-free felids series, 1/6, tiger.
Ground-free felids series, 2/6, mountain lion.
bonus: playing with textures and layer modes
So. I saw someone try to make and post 100 soups last year, and so now I'm trying to make 100 small clay creatures this year (year of the horse. Started at the end of february. I'm not that late. The festivities haven't even ended yet! - as of writing this post, not the publication date) But I'm doing a series of lino-like digital drawings (planning to try actual lino later this year, so wanted to make a couple mockups first) and I thought: why not make a hundred animal drawings too. Surely when making an organized attempt at 100 of the same thing in a specific timeframe for the first time ever, making two at the same time won't backfire. I have plenty of time.
So. Here it is. 100 animal drawings, 1 to 5: lino mockups, fast animals. (all 100 won't be lino mockups because I think I'd get bored out of my mind)
horses! I was preparing for next year being the year of the horse and felt like drawing some.
groundfree felids 3/6, jaguar
wips under the cut:
Did some 3D printing of my mountain people series. It was... not without challenges but I did get printed figures out of it in the end.
I am planning on making a blog post about the whole process. At some point. Later. Prooobably in the summer.
Two quick pieces of advice though: - if you make your own 3D files to print: make that shit thicker. No, thicker than that. Again. That was maybe half of my issues. - and I personally really like the fuzzy skin option (in slicing softwares). It makes the filament not be straight but move in random-ish patterns on outer surfaces, which makes it more matte and helps hide the printing lines.
Bonus pics of gratuitous creepy vibes (unintended) and cloven neat in half character (unintended too).
revamped my Mountain People series, with added stuff to ground them in their world, a little sun-context-silhouette, and a better texture (procedurally generated! I get an infinite amount of subtly different ones!). 1-3 / 12 (more here)