He spoke of her flowing, flaxen hair, and Riccardo pictured the fine reams of silk that he had hand spooled on thick rods for the dye a lifetime ago. The seafarer wanted a noble portrait befitting both her bewitching beauty and her intellect, which was as indomitable as her will. He would pay handsomely for a portrait which united all these things. Riccardo accepted on merit of the lady in question. It was no longer about the payment, though Riccardo knew he required it. The desire to paint had become a necessity, it was his sole comfort in the unending solitude of the past century. The monetary gain was a mere practical consideration. He would need gold to book passage across the sea again, when his hunger for the Old World returned. He must fill his coffers from commissions that were more plentiful here than they had been in Rome, where artists could be found on every street corner peddling their paltry miniatures for a fraction of the cost. Here, there was true admiration for his work, and for the ancient spirit within which he painted. The life-like portraiture combined with a classical-baroque sensibility appealed to the children of this young orphaned nation. He admired them, these strange new colonial’s now their own masters, as much as they admired him for all the aged simplicity of his work. It was this that appealed to Cinead, too, as he ambled through Riccardo’s studio in an old gutted townhouse in New Jersey, his fingers near touching the fine faces of the few portraits he had brought with him from his beloved Rome. Would it concern the lady that she could only sit in the evenings? No, it would not. And how long do I have to complete the painting? That was indeterminate. Riccardo closed his petal mouth around any other question. It hardly mattered, in the end. He would complete the portrait, he would be paid, and no doubt Cinead would leave off with the lady and her likeness in toe.
They made plans for the preliminary sketching, and then the other vampire was gone. Riccardo was left with the money to acquire fresh materials and no more, the rest promised upon completion. He had a freshly primed canvas waiting on the easel, his palette bare, but the pigments ground to begin the underpainting once he was satisfied, if he was satisfied, with his sketch. He had brought so many of the rich raw materials with him across the sea, and now the brine-scent was imbedded in the paint. He smelled it in the pigment collected under his fine, glassy fingernails, a scent too faint for a mortal to detect, but strong to Riccardo, who overpowered it with linseed and the natural bergamot amber perfume that clung to his immortal, olive skin. The great parlour was entirely devoted to his work, littered with busts, hunks of stone in the midst of carving, sketches and references hanging on the walls, competing with the peeling, ala Anglaise wallpaper. There was no other sight that the house was inhabited. Riccardo couldn’t sleep in it, and so it was little more than a workshop, strewn with all manner of odd artefacts that served his painting and sculpting.
There was but one mortal scene, a pastiche of a study, or to Riccardo’s mind, a studiolo. He had constructed a dais upon which to arrange the many backdrops for his portraits, and he had already assembled a writing desk and chair, as well as a number of instruments and rich fabrics for the purposes of draping. The woman, Gemina, would be the crown jewel among these. The youth was standing at a short distance from it all, head quirked, his keen verdure eyes moving slowly over the arrangement, when the door knocker emitted a sharp thud. He blinked, roused from his aesthetic contemplation by it, and by the shadow of a figure behind the thin glass pane in the middle of the mahogany door. He dove a hand into his vest to flip open the worn casing of his pocket watch. They were not early, it was he who had lost track of time. And why not? What was time to an immortal? Nothing. He shrugged his shoulders, loping steps carrying him to the door. He opened it, throwing it wide at once. “Good evening, please, please come, come in, both of you, please,” Riccardo inclined his head, his tight inky curls falling out from behind his ears only for both of his beringed hands to rise and quickly tuck them away again. His accent was thick, undeniably Italian, and it gave the intonation of his words a song-like quality. Already the corners of his lips were upturned in a warm, welcoming smile. “You had trouble finding this place, no? Perhaps only to me these streets are hard to find, my home was all built on such precise lines, Roman’s are never lost,” he offered lightheartedly, already sweeping them both into the studio. Once they had crossed the threshold he darted across it, leaning over the edge of the dais to seize upon his sketch board and charcoal. Riccardo’s gaze flickered immediately toward his proposed subject as she moved into the abundant flood of candle light that clustered around the canvas and the dais. Her hair burned gilt in the rosy glow cast by the candelabrum, and Riccardo admired it for a moment, already searching his mind for the perfect pigment.