Stop!! Hibari-Kun 1 - Humble Beginnings
I wanna enjoy this official release. I'll do these as the volumes come out. And because HxH is still on break they're getting my coveted "random late-night drop" timeslot. Here we are, actually able to support the official release for my #1 diamond in the rough, Stop!! Hibari-Kun. We won't be silly and artifical though. Even if I go chapter-by-chapter I'm going to assume you're cool with me approaching a 45yo manga from an appreciation point, how it relates to later trans depictions in manga, and poke at the clever way this silly gag manga plays with reader expectations. So we might vaguely gesture at spoilery things but I'll try to keep it contained to the latest official English volume release.
Ballsy choice to open fire with a comical scene about your teenage protagonist losing his mother. Which is honestly great because we need to immediately set the tone for a story like this to work. Hisashi "Candy" Eiiguchi knows what he's doing, remember he's a seasoned veteran for this series. It'll be his swan song as a steady mangaka. Stop!! Hibari-Kun's success hinges on one aspect; showing, not telling young male readers that Kohsaku's plight is devoid of sympathy. At least when it comes to Hibari. I do wish we spent a little more time on his journey dealing with his mother's death though. I would love nothing more than a full anime reboot where Eiiguchi just has to do character designs and pitch the overall narrative. Let it be the couple together telling an adopted kid their story...
There's a real "two-peak" structure to this first chapter. Because it's the first beat Kohsaku's mom dying still carries some weight. But the comedy makes it clear we're not telling a story that's going to be a drag. I mean, there will be drag but not the story itself. We move on quickly to Mr. Oozora. The father of four and so many more wayward young men in his Yakuza family.
Yakuza shit immediately makes this series cooler. Let's take a moment and wax nostalgically for the brighter days slipping in a 20% cooler would do numbers here... Okay, but yeah it doesn't take long before we're doing slapstick and waving guns around and honestly I love it. It may not be about Space Girl but Stop!! Hibari-Kun is no less wacky than similar contemporary Urusei Yatsura. I think it also helps set the tone to introduce us to Mr. Oozora first. See him outside of being the father in this fun family. This is going to end up being a pretty rare scene for selling him as an actual threat. I think it works. Mr. Oozora may be a bit of a prude but he's an important character for this manga to work and honestly he's pretty fun.
Now, I think this serves a purpose. A narrative purpose our dear, sweet Chrysanthemum runs on. After all this wacky stuff...is it really that big of a deal Hibari's trans? Oh, and for the record let's clear this one up easy...the reason Eiiguchi was for a time reluctant to call her that was because for his generation that terminology would typically be reserved for someone who already medically transitioned. There's an anime-only episode that, how the fuck they got that past the censors is a mystery to me but it plays with the concept. I don't even really care about his explicit intentions, SHK is what you could call an Unbuilt Trope. The reason it would do so well today is the reason you can't replicate its formula today. Too many existing cliches. There's something organic about Hibari's world modern attempts at inclusion rarely capture.
It proves to me that most people's hangups are from overthinking things. I think Eiiguchi more stumbled into accuracy by virtue of not having that "filter" of established norms. So all that's left is to think about how, plain language, a presumed brother emerging as another sister would affect the family dynamic. Sure, something like Kyou Kara Yonshimai can do this...as a very limited niche interest. This girl got to be the hostess of Weekly Shonen Jump. Hibari to me is the accidental icon. This weird concoction of a gag manga produced something that resonates because without that safety net of existing shorthands and conventions the reality of that situation isn't too hard to guess. Means Hibari sinks or swims solely on her own charm which, well...
It's also worth pointing out even if we've had good depictions later...they don't tend to get to be the "main" character these days. Which, remember this was popular so it's not really organic trends demanding stupid nonsense like Nuriko in Fushigi Yuugi. It's kinda why I see Kiku the way I do in Wano, yeah playing the game where her sum total of secondary actions still add up to a towering narrative presence and hiding behind a more marketable foil is the type of shit you have to pull to keep young men from getting "triggered" by thinking their comic went too woke. All in all, great offering that hooks you immediately. I'd point to SHK as an example of a first chapter that delivers everything you need it to. If you sit there and read this first one at a newsstand, you wanna know where the hell we go from here and we can already see a lot of what will make this one work on a visual level to boot.