A-Z of Women's Voices in Rock and Metal Y is for Whyzdom (it's a stretch, i know)
Origin: France
Genres: Symphonic metal, gothic metal
Years active: 2007–present
Listen to: While The Witches Burn

seen from Greece

seen from United States
seen from India
seen from China

seen from United States
seen from Malaysia

seen from United States

seen from United States

seen from Mozambique

seen from United States

seen from Malaysia
seen from United States

seen from United States
seen from China

seen from Belgium

seen from United States
seen from Türkiye
seen from Russia

seen from Belgium
seen from United States
A-Z of Women's Voices in Rock and Metal Y is for Whyzdom (it's a stretch, i know)
Origin: France
Genres: Symphonic metal, gothic metal
Years active: 2007–present
Listen to: While The Witches Burn
The Annotated Antichrist is a fan-written deep dive into Therion's "metal musical with opera voices" Beloved Antichrist, a song-by-song breakdown with an analysis of the plot, the characters, the Biblical parallels. This is a periodic reminder of this blog for people who haven't seen it yet :)
Opera Metal/Classical Metal Sopranos/Symphonic Metal/Operatic Metal/Neoclassical Metal
This playlist by the extraordinary Janika Groß (current soprano singer of Haggard and mastermind behind molllust) will give you more good symph metal recs than all the Spåttify algorithms in the world. There are a lot of unknown bands here that the algorithm would never think to recommend to you. The playlist is still being updated too! The most recent addition is from April 2024. Worth keeping an eye on.
I like this adaptation it gave Walton more appearances
Edit: Here’s some still frames I suppose
Nightwish - Ghost Love Score (LIVE)
a line I think about a lot in the opera
Wednesday, August 19: Therion, “Cults of the Shadow”
Therion was still more death metal than opera on Theli, though the latter was well on its way to overtaking the former. But before that happened, “Cults of the Shadow” galloped hard over Christofer Johnsson’s grunts, and had the icy and forbidding production values common to most late ‘90s Nuclear Blast releases. Still, a shift was definitely happening, from the opening keyboard flourishes to the choirs in the middle, as Johnsson’s larger vision was coming into focus. Nonetheless, “Cults of the Shadow” was unmistakably a metal tune, whereas subsequent albums would blur the line to the point where Therion ultimately became more of an opera unit with occasional metal flourishes.
Somnium from "Peccata Mundi" - Opus Aeterna - Opera Metal & Neoclassical...