The descent of the statue of Napoleon I from the top of the Vendôme column during the Bourbon Restoration, 8 April 1814
George Emmanuel Opiz

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The descent of the statue of Napoleon I from the top of the Vendôme column during the Bourbon Restoration, 8 April 1814
George Emmanuel Opiz
Szemembe nézett és ùgy hazudott.
De nem izgat mit mondasz, mert szemtől szembe nem mered. Amikor meg bajban vagy, én mégis ott leszek neked.
Túlélem.
Der Tanz des Todes. 1921. Kurt Opitz.
25 1/4 x 38 in./64 x 96.5 cm
This daring, twisting tableaux of lust and danger showcases the Polish actress Pola Negri, who would swiftly achieve worldwide fame across the silent and golden eras of Hollywood for her femme fatale film roles. "Der Tanz des Todes" – 'The Dance of Death' – is the German translation of Pola Negri's very first film, a Polish silent from 1914 ("Niewolnica zmyslów," or "The Slave of the Senses"), in which she plays a beautiful poor daughter of a locksmith, who strives for success as a dancer, and enrages her street-tough boyfriend by becoming the mistress of a wealthy admirer. It's possible it achieved a later run in Germany, where this 1921 image was created at the Atelier Phalanx in Leipzig, attributed to Kurt Opitz, later known for his anatomical paintings. By this time, Pola Negri was in Berlin, making films with Ernst Lubitsch; at the end of 1921 she signed to Paramount Studios and became the first Continental import to Hollywood, paving the way for Greta Garbo and Marlene Dietrich, while becoming Hollywood royalty in her own right, enjoying affairs with Charlie Chaplin and Rudolph Valentino. Exceptionally rare.
Available at Auction March 12.
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aus "Ich liebe meine Schäferin" von Martin Opitz https://www.texts.at/oer
aus "Eile der Liebe" von Martin Opitz https://www.texts.at/o8X
#Opitz