The Misogyny in Supernatural
Over the years, the Supernatural writers have subtly inserted sexist tropes into the narrative. With the finale, most fans expected the writers to redeem themselves by correcting and acknowledging their mistakes. Instead, the final episodes only reasserted the showrunners’ indifference towards their own female characters.
Fridging is a common trope in comic books and media in general where the intense suffering or death of a woman is used as a plot device so that the story arch of a male character can move forward. A clear example of this is episode 10x21 in which Charlie Bradbury is butchered and left to bleed out on a bathtub by a nazi. Another example is Eileen’s death in episode 12x21, where she was brutally killed by Hell Hounds sent by Arthur Ketch; a character who was later brought back by the writers so he could compensate for his mistakes and then become Rowena’s love interest. Charlie stayed dead and was only replaced by a Charlie from an alternate unviverse. Eileen came back in season 15, only to be killed again in episode 15x18 to set off Sam’s hoplessness. Mary, Ellen, Jo, Jess, Missouri, Amara, Kelly, Bela and Rowena were all killed, sometimes more than once, so that the Winchesters could live.
The lack of diversity in Supernatural is evident. Since season one, the “Busty Asian Beauties” running gag has made fans uncomfortable, yet the writers kept on using it until the very last season. Not only is making Asian Women a fetish (instead of recurring characters in the show) sexist, it is also racist and xenophobic. Additionally, Missouri Moseley was brought back in 13x03, only to be killed in that same episode. Minorities should not have to watch how their stories are erased. We deserve to be represented with our own plotlines in our favorite shows.
Bela Talbot was an iconic character in the show. What the writers seem to have forgotten is the merciless closure they gave to her story. She was sent to hell after making a demon deal to get rid of her abusive parents. Some fan opinions such as “not even remotely pitiable” or “that bitch should die a much more terrible death” prove that according to the male gaze, the femme fatale is a cruel being that deserves years of eternal torture.
Another example is Sam’s blurry wife in the final episode. The writers built a romantic storyline between Sam and Eileen only to completely erase it. What is more, we don’t even get to see Sam’s family. There are plenty of shots of Sam interacting with his son, but only one shot of an unknown woman in the front porch. Maybe the writers think that women’s only purpose is childbearing, hence the unimportance of showing other scenes of Sam interacting with his wife.
Even if covid restrictions made it impossible for Shoshannah Stern to film the final episodes, they could have at least mentioned her. Charlie, Stevie, Donna, Jody, Kaia, Claire, Patience, Alex, Jo and Ellen did not have closure to their stories. Some of the actressess were not even asked if they could quarantine to appear in the final episode. It seems like they weren’t even in the pre-covid scripts. Fans have come up with possible sollutions like Jack saying he brought all of them back, Sam talking to Dean about a phone call with one of the girls, Sam teaching his son ASL... the ideas are endless. Alas, the showrunners stated that these charcaters are not important when they confirmed that there weren’t any major changes to the final scipt.
According to the Geena Davis Institute on Gender in Media few women and poc are in key decision-making roles. This results in a clearly biased storytelling, where women and minority groups are not rightfully represented. The Supernatural showrunners cannot claim to support women by writing amazing characters and then include sexist tropes in their narrative. Film and Television influence our everyday actions; therefore, what happens on screen matters in real life. For this and for many other reasons, fans are sharing their thoughts on social media, demanding better representation from a network that disregarded them for fifteen years.