#overdubs

[schibborasso]

M.C. Escher Rimpeling / Rippled Surface, 1950 plus: +overdubs: "yoga on chairs", 2025

[cindy264]

The Monkees — Mary Mary / Overdubs / 10/18/1966

[bonafidestudio]

We offer vintage #analog as well as state-of-the-art #digital equipment for superior #sonic quality. We provide the highest quality #music products and services for our clients at a fair price. Yes, we can #track your #band #live, do #overdubs, #mix and #master. The facility houses a #controlroom, #liveroom and separate #vocalbooth. We have everything an artist needs to make a great #record right here under one roof. Our back line of equipment is endless but if we don't have it, we will get it! 02088839641 https://www.instagram.com/p/B8OEVj6HjIR/?igshid=e6urljkjb3ke

[dustedmagazine]

The Necks — Body (Northern Spy)

Body by The Necks

The Necks have made a lot of wonderful albums in the last 30 years, and many of them sound a lot like the first 20 minutes of their newest record, Body. Body begins in medias res with piano, drums and bass, churning up a propulsive, polyrhythmic sound, as stable and stochastic as the sea. It’s classic Necks, which makes Body’s second half all the more surprising.  

It’s enough to give you whiplash: just as thin clouds of Hammond organ start to dissipate, Body’s pummeling middle section emerges like a cloudburst, violently and without warning. As tonally dense and rhythmically simple as Stereolab’s “Jenny Ondioline,” Body, between minutes 24 and 40, is as aggressive and visceral as anything The Necks have ever done. Call it post, psych, noise or kraut-rock: whichever suffix you append, this is the first Necks album to embrace the ecstatic minimalism of both LaMonte Young and Neu!

More surprising still, at least for long-time Necks fans, is Body’s structure. Made up of four distinct movements — restive introduction; short sunbreak; kraut-rock raveup; entropic comedown — it’s their most focused release. Until now, the best Necks records (and Body is one of their best) used an ostensible lack of set structure to feel indefinite. Where records like Open, Aether, Drive By, and Hanging Gardens seem like they could go on forever, Body is decidedly narrative, with a clear beginning, middle and end. It’s their first long-form, studio recording that tells a story instead of creating a world.  

Like a great short story, Body is well worth revisiting, even after you know the plot twist, to savor details and subtleties you missed the first (or second or third) time around. Previous Necks records felt horizonless, but Body feels bottomless. It’s not the first Necks record to flesh out the acoustic core with overdubs, organ, guitar and electronics, but it is the richest. From the restless percussive overdubs of the first movement, to the phosphorescent electronics that light up the darkening conclusion, there’s something new and intriguing to hear in every second.  

Body’s dynamic structure and rock timbres make it the most accessible Necks release to date and an ideal introduction for a newcomer. As with all Necks releases, there’s enough telepathic musicianship to keep your ears enraptured; unlike most Necks releases, you can engage the rest of your body and dance, too.  

Isaac Olson

[waydetheblade]

MAKING OF "YOU'RE MY MARY JANE" by Crime Scene

[beauty-funny-trippy]

ㄟ(•ө•)ㄏ beauty-funny-trippy {from: instagram} (un-mute to hear the 'birds' sing)

[farm2turntable]

Glen Campbell: "Without You" [Glen Campbell Goodtime Hour, April ‘72]

[schibborasso]

overdub-collago-dramas from the series "the roaring 20s"