‘[Natalie Clifford Barney’s] use of traditional [poetic] forms constituted an effort to summon literary authority, to place her poetry in a long and respected tradition . . . Barney’s poetry addressed a subject that has been denied a literary tradition of its own. Although the external forms of this poetry were traditional, even clichéd, they enclosed a radical sentiment.’
— Shari Benstock, Women of the Left Bank, Paris 1900–1940 (1988)











