But at length the ice grew cold beneath them, which she disliked, so pulling him to his feet again, she talked so enchantingly, so wittily, so wisely but unfortunately always in French, (which notoriously loses its flavour in translation) that he forgot the frozen waters or night coming or the old woman or whatever it was, and would fly to tell her-plunging and splashing among a thousand images which had gone as stale as the women who inspired them-what she was like. Snow, cream, marble, cherries, alabaster, golden wire? None of these. She was like a fox, or an olive tree; like the waves of the sea when you look down upon them from a height; like an emerald; like the sun on a green hill which is yet clouded - like nothing he had seen or known in England Ransack the language as he might, words failed him. He wanted another landscape, and another tongue. English was too frank, too candid, too honeyed a speech for Sasha. For in all she said, however open she seemed and daring, there was something concealed. So the green flame seems hidden in the emerald, or the sun prisoned in a hill. The clearness was only outward; within was a wandering flame. It came; it went; she never shone with the steady beam of an Englishwoman-here, however, remembering the Lady Margaret and her petticoats, Orlando ran wild in his transports and swept her over the ice, faster, faster, vowing that he would chase the flame, dive for the gem, and so on and so on, the words coming on the pants of his breath with the passion of a poet whose poetry is half pressed out of him by pain.
