#p183

[dark5light]

“Never ask a poet to tell you the truth. We have ten different ways to describe a drink of water, and each is true and all lie.”

— Margot (Full fathom five by Max Gladstone)

[readinginmars]

"What are you looking for?

When Ms Komachi asked me this question, my first thought was: I’m still searching. Searching for somewhere I can be accepted as I am. Just one place is all I need. Somewhere to be at peace."

What you are looking for is in the library - Michiko Aoyama

[flowingrooted]

How do you nurture your creative self? What inspires you to create? What experiences bring you joy? Make sure to include these experiences in your daily life. When you feel bountiful, that joy extends into your practice and beyond to enrich others.

Rebekah Younger

[graffitiandstreetartarchive]

p183 / Bodik. ph. 2013

[nusumigaki]

死には手引書がない。どうすればいいのか、何が起こるのか、誰も教えてくれない。

[nusumigaki]

「あなたはどうしていつも、わたしのせいで恥をかくことばかり心配しているの？」

[nusumigaki]

この際、誰でもいいから来てもらって、しばらく自分のことを好きになってもらうというのも悪くはない。

[the-really-dark-student-blog]

Street art raises problems for justifications of the museum that appeal to the purported uniqueness and power of the works it contains. Street art is largely ephemeral art that is usually cheap to make, free to experience, and owned and overseen by no one (or, rather, everyone). Museums often  contain art that is extremely expensive (to make and own), costly to experience, and overseen by an elite few.  One reason for visiting a museum, and a reason to maintain the expansive, expensive, and exhausting network of artworld roles that sustain them, is that what is in the museum is supposedly sufficiently different from what is outside it- it is more powerful, full of complex meaning, more beautiful, challenging, and rewarding than the everyday.