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Top 5 Best Cinematography in Hindi Films in 2018

January 12, 2019

by Inakshi Chandra-Mohanty

1. Pankaj Kumar - Tumbbad

The best visuals of the year are in the epic horror fantasy film Tumbbad. From the outer shot of the ‘haveli’ (mansion) drenched in the non-stop rain, to the barely lit close ups of Vinayak’s (Sohum Shah) face as he searches for the hidden treasure, each frame tells a story of its own. Tumbbad is like one of those ancient tales that one would read in Amar Chitra Katha comics, unfolding on screen. And therefore, each frame feels like a drawing from one of those books, picturized on screen. The mixture of colors, red, blue, and yellow, make Tumbbad and the ‘haveli’ look threatening. Greed brings forth darkness and sadness, and the stark visuals of Tumbbad reflect upon this theme. Overall, this film achieves the perfect tone thanks to the visuals.

2. Avik Mukhopadhyay - October

For a film to be cinematographically brilliant, the shots do not need to be conventionally beautiful, standing out above the rest. Perfect framing, and unique, but emphatic angles are equally as essential to making the cinematography a success. October has a mixture of stunning shots and succinct framing. The former comprise of shots such as the close-ups of the Shiuli flowers and the gorgeous wide angles of Kullu when Dan moves there for work. The latter, however, comprises of some of the most emotional, poignant shots of the film. The most resonating scene in the film is when Shiuli’s mother tells Dan to leave. The focus of the camera begins on a close up of the door opening in the foreground and then shifts to Shiuli’s mother speaking in the background. The angle at which this shot is presented and the framing of the character in comparison to the door can allow for much interpretation in regards to the dynamic between Dan and Shiuli’s mother, and the connection that the two have as the only ones that still have hope. The film is filled with many more instances of thoughtful framing that truly makes it like poetry on screen.

3. Sayak Bhattacharya - Laila Majnu

Kashmir is one of the most beautiful locations in India because it is one of the few areas where multiple seasons can be experienced. From snow, to rain, to a gorgeous sunrise over the mountains, the makers of Laila Majnu have taken full advantage of the breadth of Kashmir. In the second half, when Majnu’s depression takes a toll on his health, we see him travelling across the vast mountains and forests of Kashmir during the songs, as he begins to speak to the imaginary Laila. During these sequences, there is a combination of greenery, sunlight, and snow, as all the different facets of these gorgeous valleys are explored. Apart from that, even the song during the end credits has gripping cinematography, as the camera captures Laila and Majnu dancing on bridges, in large fields, and on the mountains, as snow, autumn leaves, and greenery surround them. That one song itself is enough to encapsulate all seasons. Without the brilliant cinematography, the film would have been incomplete, and it would have been a disappointment for a film set in Kashmir not to fully explore it.

4. Tushar Kanti Ray - Kedarnath

Like Laila Majnu, Kedarnath is also set in an area filled with mountains and valleys, making for some beautiful sights. The makers explored the whole location, especially during the flood sequence. One of the best shots in the film is towards the end when the camera focused on Mansoor (Sushant Singh Rajput) from above, while he stared upwards as the water surrounded and engulfed him. However, the most beautiful frames in the film were not of the grand landscape but were instead during the scene when Mansoor and Mukku (Sara Ali Khan) spent time together in the cave. There is a striking contrast of colors as there is blue from the sky and rain, meshed with an orange hue from the fire lit in the cave. The harshness of the colors, signifies the intensity of their relationship as this is the moment when they truly accept their emotions for one another. The strength of the emotions, portrayed through the visuals in this scene and the remainder of the film, is what makes Kedarnath the epic that it tries to be.

5. Anil Mehta - Beyond the Clouds

Despite its weak story and screenplay, Iranian filmmaker, Majid Majidi’s, first Indian film works purely because of the visuals and performances. The film opens with some magnificent shots of the chaotic Mumbai, ranging from the traffic-filled streets to the congested gallis. Later in the film, as Amir (Ishaan Khatter) begins to bond with the children, he dances on the song Muqabla behind the parapet, hence allowing the camera to capture some beautifully framed shadows. And the last shot of the film is perhaps the most beautiful as the drops of rain slowly drip onto the fingers of the little boy who has not seen anything outside of the square cell he has been confined to since his birth. These three sets of shots reflect the strong emotions of love and hatred, from the brother-sister relationship, to the relationship between a man and the family of the person who is the reason for his sister’s suffering. These emotions are the strength of this film, and the visuals are the strength of the emotions.

#bestof2018 #pankaj kumar #tumbbad #avik mukhopadhyay #october #sayak bhattacharya #laila majnu #tushar kanti ray #kedarnath #anil mehta #Beyond the Clouds #cinematography

Ritesh Pandey to Headline Bhajan Evening at Agrico on July 21

Shri Neelkanth Mahadev Sangh Organizes Ninth Annual Event Key Points: Mumbai artist Ritesh Pandey and Bihar’s Siddhi Pathak to perform Massive community feast arranged for thousands of devotees 22-foot Baba Barfani statue to be main attraction JAMSHEDPUR – Shri Neelkanth Mahadev Sangh will host a grand bhajan evening and community feast at Agrico Transport Ground on July 21 marking the second…

#agrico transport ground #Bhajan evening #focus #Jamshedpur #Pankaj Kumar #ritesh pandey #shravan monday #shri neelkanth mahadev sangh #siddhi pathak #spotlight

Malaysia’s Subscription & Rental Economy to Benefit From SST Expansion

KUALA LUMPUR, 19 JUNE 2025 – As Malaysia’s economy navigates an uncertain global environment, domestic consumption continues to stand out as a reliable driver of growth. In the first quarter of 2025, private consumption remained buoyant, supported by stable employment conditions, real wage growth, and subdued inflation. With Bank Negara Malaysia holding its policy rate steady, and with the…

#latest Malaysia news #Pankaj Kumar #rental business to benefit #sst expansion and subscription business

SST Expansion Fuels Malaysia’s Subscription & Rental Boom

#Datametrics Research and Information Centre #pankaj kumar #sst expansion and impact on rental #subscription business boom with sst #sustainability

Kerajaan dan Pemimpin Baharu Mesti Sokong Agenda Pemuliharaan dan Pemeliharaan Hutan

Menurut International Union for Conservation of Nature, hutan memainkan peranan penting dalam perubahan iklim kerana hutan merupakan punca dan penyelesaian bagi pelepasan gas rumah hijau.

Oleh Pankaj Kumar Pengarah Urusan Datametric Research and Information Centre (DARE) Dengan rakyat Malaysia dari semua lapisan masyarakat dijangka menggunakan hak perlembagaan mereka untuk melantik kerajaan baharu pada Pilihan Raya Umum ke-15 ini, kerajaan yang baru dilantik pastinya mempunyai pelbagai isu yang perlu ditangani dan salah satu daripadanya sudah tentu perubahan iklim dan kesan…