Does anyone else think that Tsumiki probably reminded Satoru a lot of Suguru?
Because I think that. And I can't stop thinking it.
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Does anyone else think that Tsumiki probably reminded Satoru a lot of Suguru?
Because I think that. And I can't stop thinking it.
I've been sitting in bl spaces long enough that when I see this:
I think this:
This parallel gripped me and wouldn't let me go. This is my first time ever making a gifset but I had to. Just...the way Pei Su is in danger on one side of the door and LWZ is on the other side, not even knowing fully the danger he's in but so desperately wanting to help, and the door of the villa closing between them...I can't with them!!!
Thinking about how in 2x06 “Tallahassee” when they’re climbing the beanstalk, Killian says “I can read you like an open book.” and then in 4x05 “Breaking Glass” he says “hey, show me. I’d love to know more about your beginnings.”
Because in 2x06 he can read Emma well, he can see how guarded she is and he likes poking and teasing and coming off cocky enough that he can get under her skin and make her believe that he knows who she is*, or could know, if he works hard enough. It’s mainly a threat (in part an idle one, though I think there is some real interest) and flaunting his abilities in reading people & determination to figure her out (“I love a challenge”), not sincere desire. He doesn’t really want to know all the details of her life. He wants to unnerve her and find just enough useful information to pull out when it’s helpful for him. Even if, as I said, there might be a little genuine interest, it’s largely selfish.
But in 4x05 where she’s pulling childhood items out of her box gently, and she’s tired enough (and trusts him enough!) to let him see, he is not pushing. He recognizes it is a matter of trust and he’s not about to play with her emotions. This is sincere desire to know her—and it’s not about self-interest, it’s not about peacocking or figuring out what makes her tick for his own gain. They both have their walls down with each other here (I could talk more about that but maybe later—they’ve both got walls, they just look different). He wants to know her, to understand her, to take in the parts of her that are only willingly given; there is no other way he will have them. He is not pretending he knows these things from her past, not by any means, and he provides a gentle invitation to let her know he wants to know, but it is not a threat to conquer and claim.
The difference is beautiful: a cocky man who claims he can understand this woman—for his own gain—and a caring man who does not presume to know the intricacies of her life before he came into it and wants her to help him understand.
(*really, that he knows who she thinks she is. And the person she thinks she is, at that point, is still a lost girl. Not really the Savior. She is a get-it-done-and-then-go-away person, who’s determined to succeed at her goal and not stick around to let anyone try and open her up, but she’s not going to say that last part. She doesn’t want people to see the lost girl side of her.)
alicent hightower & criston cole + alfred lord tennyson’s “guinevere” (1867).
Thinking about Cassie and Compton again and the very beginnings of their friendship.
Compton, once he gets to Green Needle Gulch, has very recently been to jail and is not proud of that fact. He is afraid of being judged and hated for what he did, and, you know, I think about what that might have meant for these two. Ford brings back this guy who apparently had some "trouble with the law" and everyone has questions, everyone is curious, but no one asks. And despite that he still feels judged.
I think about how Cassie was one of the first ones to tell Compton that it's fine, and it doesn't really matter. She doesn't ignore the elephant in the room, silent about the topic until someone else brings it up. She tells him, outright, that it isn't important.
"I have a somewhat checkered past myself," She says, flippantly, and she does not judge him. "It's not like that," Compton says, anxious and in a rush, because he doesn't want her to get the wrong idea.
And Cassie looks at him and says, "that doesn't matter."
"What matters is who you are now," She tells him, confidently.
Thinking about the idea that Cassie is the one who teaches Compton about self-forgiveness, and that she is the one who shows him the importance of re-invention when it comes to identity. That no one is one thing. He isn't just one thing, and he doesn't have to feel ashamed forever.
He can improve. He can be the best version of himself, and that is what people will see.
I think she is one of the people who refuses to look down on him. She vibes with him at a time when Compton feels very, very vulnerable. And I think that's an essential pillar to the foundation of their friendship. There are others, but that's one of them.
Anyway, TL;DR: Funny joke "I was once a criminal" Cassie O'Pia doesn't bat an eye when Ford brings back this tiny, box shaped little guy who has been known to accidentally blow his lid-- and was recently in jail. Thusly, the beginning of a beautiful friendship.