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Imagine stan a literal nobody just because of their ties to a celebrity

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En proceso de aprenderla 😊🎶 #patetique #beethoven #piano #music #viña #chile

#patetique #beethoven #music #viña #chile #piano

#sinfonia #tchaikovsky #patetique #clasic #la musica #music #classic music

Omofobia #10

Due veloci commenti che mi fanno provare tanta pietà per il genere umano.

"Sei un falso fedez, ti piace a fa il moralista mo che stai carico di soldi eppure prima insultavi i froci cm tanti rapper.. Prenditi la tua valanga di mi piace e continua a vende quella merda che chiami musica,e poi guardati allo specchio se c'è la fai merdA". Ma ovviamente è chiaro che una persona deve restare fissa nelle sue ideologie, perché l'italiota medio ha paura di cambiare. Qua più che omofobia, si dovrebbe parlare di cosmofobia, perché i livelli di ridicolaggine di sto tizio sono immani e imbarazzanti. Giusto, Fedez era omofobo, ma io sono d'accordo sul fatto che l'omofobia è una malattia, e come una malattia normale anche da questa si può guarire. Che per caso Fedez abbia iniziato ad usare il cervello e capire che forse certe cose sono più semplici di quelle che vogliamo far passare con idee retrograde? Chissà, questi figli di Satana, stanno rovinando il mondo. Poi mi fa morire sta gente spaventata dall'evoluzione umana che vuole restare attaccata ai valori del Bel Paese, ma guai se gli impedisci di comprare il cellulare ultimo modello figo o il macchinone per vantarsi con gli amici. Ma ce la facciamo? Patetici.

Riguardo al coming out di Ellen Page: "mo si omm" (modo di dire napoletano, ora sei uomo, che dovrebbe significare: sei uno decente) e "Che era un'omino,si era capito da tempo" che è un commento pure più patetico. Volevano essere simpatici? A me non fanno ridere, anzi fanno piangere. Giustamente masturbarsi sulle lesbiche è eccitante, ma una che non si spoglia è ritenuta uomo, mi pare giusto. La cosa che mi fa ridere è quando un messaggio viene commentato con il contrario del suo contenuto, sintomo di ignoranza e pigrizia mentale. Se Ellen dice che non vuole essere ritenuta uomo perché ama vestire in abiti "maschili" comfy, allora uno commenta con l'esatto contrario. E capisco che agli italioti innamorati della Patria fa schifo tutto ciò che non è italiano (no, ma è giustissimo, soprattutto quando si tratta sempre del famoso Samsung o della famosa Chrysler), però dai, un po' di inventiva non guasta. Sapeste quanto siete eccitanti voi per le donne.

#patetique #omofobia #italia #italioti #ellen page #fedez

Strouds | Patétique

Una producción musical por Playbox Films

#patetique #strouds #playbox #films #audiovisual #video #music

Prelude Patetique for Marry the Night -Observations

This is more a of a random set of observations than critique. Honestly I'd rather talk about this than write about it, but sometimes that's just not in the cards. I'm bringing a lot to this viewing that I'm sure that Gaga did not intend. But then again, her intention might just be for me (and you) to do that. Authorial intent is a tricky thing.

Lady Gaga's Marry the Night: Prelude Patetique will be released in it's entirety On Monday. But Thursday she released the first few moments of the piece for us to look at. The key thing to remember here is that it a set up piece, and not complete work. She intended it to be "released this way" (bad, I know) but keep in mind it's not complete.

The first shot is the camera fading in from white blank screen, with only the sound of film clicking in the background, to the rotating face of Gaga. As Gaga the Subject comes into focus and Gaga the Narrator begins her story, the film sound dissipates and the rest of the clip is silent, except for the voice of our Narrator Gaga.

Subject/Gaga is off to some procedure or happenstance that is yet to be revealed as she is moving one direction and rotating at the same time. Like any spinning, it's meant to illustrate that we have lost our bearings and are now entering a different space. Eventually she stops spinning and the camera settles down behind her.The Camera view throughout is a very slight fish-eyed lens, just a little distorting. As soon as we can make out the tiniest outlines of Gaga's face we have a voice over begin, "When I look back on my life, it's not that I don't want to see things exactly as they happened, It's just that I prefer to remember them in an artistic way". The Narrator, Gaga, is talking over her own body.

It reminds me of the scene from Catch 22 where Yossarian fades (from white) into Hyper-reality in the Bomber and we witness Snowden's injuries/death. I'm not reminded so much in the graphic nature of it's content, but the way the use of white and a disembodied voice moves us into a hyper-reality; Gaga's dream/experience/memory. It's been used in other films, but that one stands out to me because I've just recently seen it again.

Our Narrator Gaga immediately tells you that she's not reliable, but only in respect to her artistic retelling of what she will show us. The Narrator/Gaga explains what we see and how she's altered it to fit her vision. She points out things that Subject/Gaga could not possible know, since she's unconscious. The clothes on nurses, how they are wearing them. Even breaks the narrator/story wall by telling you precisely why she chose the style/color of the gauze caps, as well as referencing future fashion trends. Space, rules, and even time can be mailable, she's telling us.

One thing about Narrator/Gaga is that she wants to you to know she's your buddy. Who else but your buddy would tell you to watch for the girl on the right's nice ass and BAM. But this narrator is not going to hold many punches back. She's going to show you some good stuff (sweet gummy bears) and bad (the knife).

Gaga's look is striking. Black hair that is roughly cut, like perhaps by the knife that she mentions to the end of the piece. Her eyes are dark, and her skin rough, as if she has been though a traumatic experience; one that she references in her intro speech. She speaks of memories and filling in the ugly patches with her own ideas to make them beautiful again. Her look will change in other parts of the video, rest assured. What we can take here is that she's stripped down, but not in a particularly healthy or pleasing way. Trauma.

One thing that is apparent at the beginning here is a point/counter point of dualities though it. Our Subject/Gaga and the Narrator/Gaga. Nurses flanked on either side. Double doors - simultaneously opened and the only sound emphasized in the clip, with the exception of the sound of film at the beginning. Your attention is drawn explicitly by Narrator/Gaga first by the nurse's Ass (Bam) on the right and the girl who ordered gummy bears on the left. The one constant though most of the opening shot is that Subject/Gaga is in the middle. Three exits, the middle one lit, are also prominent in the main "reception" area after the corridor scene. Kind of reminds me of Parzival, "though the middle" literally in the retelling of the Arthurian Grail quest. In that telling, Parzival (Parsifal) sees the quest through not by adhering to the extremes, but moving though them, between them. Subject/Gaga might be in for the same sort of journey.

What this might mean for the rest of the video, I don't really know. Dualities abound in the intro and I have no clue where they will go. But we are left with one striking duality at the end. A patient alternately smoking and breathing through an oxygen mask at a piano. X-rays at one side are hard to read, but look to be pictures of lungs. The lungs that the patient both uses and abuses in the intro.

Interesting Intro.. two more days until we have the whole thing.. I hope. Carlos

#Lady Gaga #Marry The Night #Pate #Patetique #Opening