#pedro barbosa

[tsukkibito]

Do you mind if I ask your top 10 favorite characters (can be male or female) from all of the media that you loved (can be anime/manga, books, movies or tv series)? And why do you love them? Sorry if you've answered this question before.....Thanks....

gods this is hard so I'm going with what's at the top of my head right now.

10. Kitay from The Poppy War - He's the most consistent and the most loyal character in the series. I would die for Kitay.

9. Pedro from Karate Shoukoushi Kohinata Minoru - Because he's openly gay and he's proud of it. Although he's a pervert, he's super strong and adorable.

8. Jang Yoonsung from Reunion - He's so freakin' hot and (you're blessed if you're at the receiving end of his love). This makes me sound like a shallow bitch but damn, this guy just hits different.

7. Gagamaru Gin from Blue Lock - He's super cute, like a wild animal and he's a well-balanced player.

6. Heisuke Mashimo from Sakamoto Days - Dumb and super naive but I would keep him.

5. Illya Kuryakin from The Man from UNCLE - Armie Hammer. Big. Top to Henry Cavill. Not sorry. I broke.

4. Kaze Daizaemon from Gantz - He's pure and he's pure muscle. Strong and protects the weak.

3. Saitama from One Punch Man - I love him and he doesn't care.

2. Mo Guan Shan from 19 Days - Need I say more?

1. Hanamichi Sakuragi - He's my husband.

(I couldn't elaborate the deeper reasons why I love these characters coz I have a cough and could barely breath. 😂)

[tsukkibito]

Pedro Barbosa. One of the most interesting characters in Karate Shoukoushi Kohinata Minoru. I hope lots of people would read this fun and hilarious manga.

[findepartida]

Today, more than ever, the work of art is not only a representation of the world, but also the construction of an imaginary model of the world with its own laws and partially inherent code. Literary writing has often become the elaboration of an object (text) with a material that is language. The modern notion of text frequently approaches the notion of Abstract painting (or to be moder exact: Concretism).

Pedro Barbosa, "A new concept of work", in PO.EX Essays from Portugal on Cyberliterature and Intermedia tr. Isabel Basto

[findepartida]

It doesn't concern dreaming of a literary machine, automatically working in a solipsistic monologue routine, but rather concerns learning to use it in a creative symbiosis. The goal is no longer the mythic poet-computer. It is instead the dialogue between the writer and the machine, as well as the dialogue between the machine and the reader.

Pedro Barbosa, “A new concept of work“ in Po.Ex Essays from Portugal on Cyberliterature and Intermedia, tr. Isabel Basto

[findepartida]

We must bear in mind that aesthetic communication finds itself altered in its traditional scheme. It is no longer immediate or (most of the time) individualized, so the "Me" and the "You" start working in a different topological setting, as if fading away before the material weight ogf the produced text, which acquires a sort of an unusual contour and density. The role of the author will be to structure as objectively as possible the literary creation, and the reader should face the text as an aesthetic objetc to some degree independent from its author. The text emerges in a first plane, as if itself -the text- were the original source of information.

Pedro Barbosa, “A new concept of work“ in Po.Ex Essays from Portugal on Cyberliterature and Intermedia, tr. Isabel Basto

[findepartida]

Will the night be great in the presence of you. Will the night be great in the absence of you.

Pedro Barbosa, Máquinas Pensantes: Aforismos Gerados por Computador, qtd in E. M. De Melo e Castro, “An intersemiotic network“, tr. Isabel Basto

[geratura]

Cyberliterature (1977-1993) includes six computer-generated poems, available in Portuguese and English, originally programmed by Pedro Barbosa in 1976 using text-generation programs «Permuta» and «Texal». The original programming languages were Fortran and Basic. These experiences in the field of computer-generated poetry were later emulated in «SynText», written in C++ [Abílio Cavalheiro, 1996] and in Java [José Manuel Torres, 2000]. This version was organized by Rui Torres, using «Poemario.js» by Nuno F. Ferreira, with design and translations by Carlos Amaral. Besides the generation of text, readers can also access the XML code of the poem being generated (The Text-Matrix), and more detailed information about each poem.

[setubalnarede]

“Há Alguém Aí?” sobe ao palco do Fórum Cultural na Baixa da Banheira

“Há Alguém Aí?” sobe ao palco do Fórum Cultural na Baixa da Banheira

O Teatro Singular vai pisar o palco do Fórum Cultural José Manuel Figueiredo, na Baixa da Banheira, no dia 6 de Novembro, pelas 21:30h, apresentando o espectáculo de teatro “Há Alguém Aí?”, de Pedro Barbosa, com encenação de Abílio Apolinário. O texto deste quase monólogo para três vozes provém de um manuscrito de adolescência, idade em que as preocupações metafísicas se tornam sempre mais…

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