Claude Montana, paneled leather jacket, 1980.
seen from Türkiye
seen from China
seen from China
seen from Philippines
seen from Brazil
seen from Brazil
seen from Puerto Rico
seen from Russia
seen from Belarus
seen from Lithuania
seen from Singapore
seen from United States
seen from China

seen from Brazil

seen from Canada
seen from Lithuania

seen from Germany
seen from China
seen from Canada
seen from Brazil
Claude Montana, paneled leather jacket, 1980.
Edward Hopper’s oil painting Morning Sun, 1952, is part of Columbus Museum of Art’s permanent collection. The model for the painting was his wife, Jo.
*sighs*
Home sweet home
Francis Alÿs, The Modern Procession, New York, 2002
On view—Rachel Whiteread at the V&A Museum of Childhood, London
July 16, 2017
Rachel Whiteread’s celebrated artwork Place (Village) (2006–08) is on permanent display at the V&A Museum of Childhood, London. Place (Village) is a sculptural work featuring a ‘community’ of around 150 dolls’s houses which were collected by Whiteread over 20 years. The artwork joins the 100+ dolls’s houses in the Museum collection. The museum is open daily (click here)—take the kids! __________ Image: Rachel Whiteread, Place (Village), 2006–08 © Rachel Whiteread. Photo by Stephen White.
Graves,1970, acrylic, 41in. x 37in.
Claes Oldenburg’s Soft Calendar for the Month of August, (Acrylic on canvas filled with foam rubber), pictured above, is currently on view at The Metropolitan Museum of Art.
From the museum about the work-
Contradiction animates Oldenburg’s sculptures of everyday objects. In works such as Soft Calendar, what is hard is made soft, what is small is made large, and what is flat is made three-dimensional. Stuffed fabric sculptures like this one originated in 1962 as props in Oldenburg’s art events, or Happenings, and evolved into independent works. The giant numbers here are sensuously rounded and pillow-like. Their overlapping arrangement asserts their volumetric nature. Each Sunday is called out in brilliant red, while the remaining days of the week are coated in white enamel.
Photographic documentation suggests that Soft Calendar was assembled and painted by Oldenburg and his partner, Patty Mucha, at Green Gallery in 1962.
🔥Addition of Two New Artworks to City Gallery Collection
The artworks have been bought using funding left by the Hull gallery's founder Thomas Ferens. read full news