The Animals’ House (1994)
Story: Peter Curry -- Art: Gill Guile
seen from Germany
seen from France
seen from Germany
seen from United States
seen from United States

seen from Germany

seen from China

seen from Malaysia
seen from China
seen from Canada
seen from Egypt
seen from India
seen from United States
seen from Germany

seen from Sweden
seen from United States

seen from Malaysia

seen from Germany

seen from Malaysia
seen from Germany
The Animals’ House (1994)
Story: Peter Curry -- Art: Gill Guile
At the end of each week of passenger travel in Mini Metro, the game provides the player with additions to their metro line that they can make use of. These range from additional locomotives, new lines, specialized vehicles, among others, but the player only has the option of choosing one of two choices that are provided to them. This means the player must determine under their current circumstances which option is going to be the most effective for their metro line to survive another week, while still making the decision feel like a net positive for their current play session.
Happy Birthday (1994)
Story: Peter Curry -- Art: Gill Guile
Teddy is First (1994)
Story: Peter Curry -- Art: Gill Guile
Let’s Play (1994)
Story: Peter Curry -- Art: Gill Guile
As more stops and lines are added to the map in Mini Metro, the game naturally requires a greater degree of space in order to make the distance between each of these stops feel increasingly significant. However, the game doesn’t just suddenly widen the map- rather, the camera is slowly moving out throughout all play during the game, at such a slow pace as to be nearly imperceptible until much later on.