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merc i love seeing ur hlvrai stuff you are the ONLY person i trust to have good taste and good takes
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Have you noticed this set of keys hanging in the “Framework of an Affordable House” at Philadelphia Assembled? They are a stark representation of the themes of gentrification and displacement that collaborators have been addressing through their work for many years, and now through the work of PHLA. The keys belong to Brujo de la Mancha, who spent 18 years moving throughout the city. Each key represents another property he was forced to vacate due to rapid gentrification. Visit us to learn how Philadelphians are advocating for fair housing practices, or pick up a guide made by our collaborators on “Becoming a Just Neighbor.” PHLA is on view through Dec 10 at the Perelman Building. Admission is Pay What You Wish.
Episode 13, recorded October 21, 2017: The "Taking My Stake Out of the Ground" is a #PHLAssembled/Reconstructions podcast series comprised of community narratives that examine and investigate the tension between the old and new in one Philadelphia neighborhood, while unearthing ways in which stakeholders cope with the changes. Hosted by #PHLAssembled collaborator Tieshka Smith, the podcast is one of many stakes in the ground, planted in the ears of those who are willing to listen, by courageous everyday people, sharing their personal stories of resistance and resilience in the face of powerful, external forces that displace and disrupt their, and our, collective sense of home and community.In this special episode, recorded on-site at the Perelman Building in the #PHLAKitchen, visual artist and art professor S. Damary Burgos and her son, Diego, share stories of community solidarity, resilience and strength on the island of Puerto Rico, during the weeks following Hurricane Maria. Burgos’ talk - which also featured specific recommendations on how we can continue to support ongoing, on the ground recovery and relief efforts on the island - was part of a day-long series of interactive programs and workshops on gentrification and displacement hosted by Philadelphia Assembled and the Reconstructions atmosphere on October 21, 2017. (Photo: Tieshka Smith) (Philadelphia Assembled)
When Philadelphia Assembled collaborators considered the concept of safe spaces and sanctuary, they envisioned this structure, “Towards Sanctuary Dome.” Architect Mayada Alhumssi guided the concept, using a geodesic dome structure to reference temporary shelters used to house refugees across the world. Inside, the space is decorated with paper cranes and birdhouses made by guests of Broad Street Ministry, who offer “a radical welcome for all” to the city’s homeless. The dome spent a month at Thomas Jefferson University’s Lubert Plaza this past summer, and is now on view at the Perleman Building through Dec 10. Admission is Pay What You Wish.
“Toward Sanctuary Dome," 2017, conceived and realized by Traction Company, Mayada Alhumssi, and the PHLA Sanctuary Stewards, and Sanctuary Working Group collaborators
It’s your last chance to experience the powerful blend of art and activism that is Philadelphia Assembled. The show closes on Sunday, Dec. 10 with the Get Sovereign! Holiday Marketplace and Giving Festival. There will be vendors, performing artists, a clothing auction with models and local designers, and much more. Join us to celebrate this important project and support the cause by choosing gifts that serve and sustain our land, sovereign communities, and local economies. Admission is Pay What You Wish.
Philadelphia Assembled City Panorama (detail), 2017. Concept and design by Philadelphia Assembled collaborators.
“The ambition of Philadelphia Assembled—‘to collectively imagine our futures’—is truly astounding.” —Stan Mir, Hyperallergic
Take a quick look inside “Philadelphia Assembled,” the first exhibition of its kind at the Museum. Hosts are on hand daily to guide you through this powerful and timely installation through Dec 10. Admission is Pay What You Wish.
The first Sunday of every month is Pay What You Wish admission at the Museum. Be one of the first to see Old Masters Now, don't miss "Marcel Duchamp and the 'Fountain' Scandal" before it closes in Dec, and head across the street to the Perelman Building to see Philadelphia Assembled. There's always something new to see.
Dive deeper into Philadelphia Assembled by visiting our current Library installation, “Unforgetting and Reconnecting”. Explore the complex story of slavery and freedom in America through the lens of PHLA collaborator and master storyteller Denise Valentine . Works on view on the second floor of the Perelman Building include rare books from the 1700s, manuscripts, illustrations, and Kara Walker’s 1997 pop-up silhouette book, "Freedom: A Fable."
“The Statue of ‘The Freed Slave’ in Memorial Hall” 1877 by Fernando Miranda