#pjsalt

[grimaceandgrin-blog]

"Well I...I like how handsome you are."

“Hm, careful there,” he says playfully, winking. “You’re gonna inflate my ego at this rate!”

[mariosbrother]

I should be rewarded for getting the Objective Time card in literally every OW match

[spaghettisimulator2015-blog]

tfw u play lucio and you get gold in elims AND healing...................,,,,,,,,,,,,,,,,,...

[vtanimation]

[whifferdills]

salty opinion of the day: i find the RTD era to be less visually appealing than Classic Who, on the whole. it’s a lot easier for me to get into the stage-y ramshackle pantomime than that plastic 2000s gloss. and dodgy CGI pings my ‘lol that’s fake’ bell quicker than dodgy costumes.

Moffat Who is the prettiest, tho, that’s a fact. but lemme give a special shoutout to the filmed bits in One’s era, before the visual language of the show was nailed down. lots of interesting stuff going on there.

(less a comment on showrunner (obviously, but since The Discourse) than an observation on television trends and the diminishing of technical limitations. i’m also aware that for many people having a convincing monster is the most important thing; fine, that’s great, we all come at this show from different angles. it is a little frustrating that DW often actively uses the language of film to tell the story, and not many people talk about that. they will talk about everything and anything - and i love that! genuinely! obsessive fandom is the best fandom - but it kind of feels like most people view the show as if it's still functioning the way it did in 1975. a filmed play, with some props and music stings. “Heaven Sent” broke the ice a little bit, because the story is primarily told through non-dialogue cues and is so obviously using framing, coloring, editing, music, all the bits, not just as ‘that what make the story go from A to B’ but as a means of telling the story itself. other episodes do it but HS doesn’t really let you ignore it. the mechanics are the story, really. dialogue is in charge of very little information.)

(ALSO yeah i’m rambling whatever - i know that, as a script, “Kill the Moon” is a jumbled problematic mess with a fantastic scene tacked on the end. but i fucking love it, okay, i love how the camera echoes the plot, these distant, emotionless shots of tiny insignificant people against an unfeeling landscape, little dots of orange on grey, and gradually the camera narrows in, and narrows in, and narrOWS IN OH GOD until there’s full-frame crying, claustrophobic, the camera unflinching and the editing waiting just a beat too long for comfort to cut away. i love that so much more than i don’t love the plot, you know?)

[m4sterch13f117]

Matching (in ranked) with 2 players who have no idea how to play the game 🙃

[fkdifndnfof]

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do it you pussy