#post-resurrection

[glitzbtvs]

Arundhati Roy quotes. S6, “After Life”. Buffy and Spike.

[sweet-evie]

A strange encounter with a Geass-wielder lets C.C. see cryptic origins of the strange power she holds, and grants L.L. a vision of the near future - the death of Zero and the Black Knights, and the obliteration of the peace Lelouch vi Britannia left behind. The distant past has the key to stop their disastrous future. Can they stop it in time? [POST-RE;SURRECTION FIC]

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Welcome, welcome, welcome to my very sorry attempt at making sense of C’s World and how it operates. (Will include elements from my latest obsessions, for sure). 

Also, I just... really needed and wanted to write a Post-Re;surrection fic for the longest, okie? 😭

[sweet-evie]

In spite of what other people assumed, she was actually quite sentimental. It was just… she didn't think her first time in bed with a man would be like this — or rather, she didn't think it would be with him. But for the first time, she realized that this was another sentimental memory she wouldn't mind keeping.

The first Code Geass non-CLuCLu story in my FFN profile. 😎😂 Just as I said I would. But umm, please forgive my writing because I tried my best with this one, and it’s probably horrible.

[EXCERPT]

She asked him hoarsely what he was looking at, and he replied with, “Your face.”

To say that a blush claimed her afterwards was a bit of an understatement. Face now on fire, she tangled her own fingers into his hair, taking her sweet time with the locks slipping through her digits before they drifted lower and lower to rest on broad, lean, and muscled shoulders. She could feel every inch of movement underneath her hands, every muscle that rippled in the wake of him hauling her up from the bed, so she could straddle his lap as he knelt on the bed instead.

He asked her if she was ready, his fingers now situated comfortably between her thighs, teasing her opening again and daubing in slick wetness that she couldn’t seem to control.

Yes, she was ready…

[rev-artistry]

Duccio di Buoninsegna, Christ's Appearance at Lake Tiberias, Museo dell'Opera del Duomo, Siena, 1308-11

[fwolfe49]

THE PROPHETIC AND PROLEPTIC NATURE OF THE GOSPEL OF JOHN

THE PROPHETIC AND PROLEPTIC NATURE OF THE GOSPEL OF JOHN

This following will be taken from a book written by friends of mine called One God, One Lord. I am using it to help us understand how John wrote his gospel. The 4 Gospels depict Christ as a man, a servant, a king and in John as the son of God.

“The Gospel of John in many respects paints a portrait of Jesus has already glorified even before his resurrection. In John the glory to Jesus as Messiah…

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[rev-artistry]

Christ’s evening appearance to the disciples behind closed doors, c. 1350.  Fresco, Visoki Decani Monastery, Kosovo.

[rev-artistry]

Duccio di Buoninsegna, Christ's appearance when the apostles are at table (from Back crowning of The Maestà), 1308-11.  Tempera on wood, Museo dell'Opera del Duomo, Siena.

[rev-artistry]

Caravaggio, Supper at Emmaus, 1602.  Oil on canvas, National Gallery, London.