Purim, 1946: London
Though not strictly speaking a religious thing, the Purimshpil, or Purim play, has been an integral part of Purim celebrations since at least the High Middle Ages. (The word Purimshpil is Yiddish, and it appears to be pretty much an Ashkenazic thing. That must tell us something about the global history of theater, but I must admit I'm not sure what.) Typically, a Purim play retells the Book of Esther — which you can read here if you're not familiar with it — while at the same time satirizing those in authority, at least within the Jewish community. It can get pretty raucous.
For the first Purim after World War II, London got a deluxe Purimshpil, as we can see from this advertisement in the Hampstead News for March 14th:
(Note the lack of a Friday performance; the Saturday matinee is surprising.)
Abraham Goldfaden (1840-1908) is widely regarded as the father of the modern Yiddish theater, and was probably his name that brought this production to the attention of The Stage, which took note of it in its own March 14th issue:
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