A little bit of Will narrating in my little byler comic <3
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A little bit of Will narrating in my little byler comic <3
I really dislike how 'you shouldn't treat characters like they're people, you need to treat them like tools in the story' has become the new tumblr buzzphrase for fiction writing/analysis, because it takes a singular approach to fiction - a very traditional/conservative one at that - and frames it as the intellectually and morally correct perspective.
like, yes, if your interest is purely in traditional twentieth-century literary criticism, if your interests are exclusively in story structure, use of language, author-intended themes and symbolism, etc, absolutely that's an approach where characters are seen as tools. and there is nothing wrong with a personal preference for that approach. but that approach is definitely based on an 'ideal reader' who is able to identify those features, and the process of learning how to analyze a text in that way involves learning to become that ideal reader.
and that's something that, realistically, only a tiny subset of the population will ever do. personally I am much more interested in how the average person responds to a text than how the most educated one does. I know that in many popular genres, including crime fiction, soap operas, historical fiction, sitcoms and pop music, plenty of authors want their audience to engage with the characters as though they are real people, to make emotional connections with them, to consider the morality of their actions, to want to hang out with them, etc. and in even more genres, plenty of readers engage in that way. not everyone of course, but a lot! and they are going to keep doing that whether or not they are doing something "wrong" by your framework. and it just comes across as so elitist to say that it doesn't matter how much time they've spent with this media, how deep a level they've considered it on or what role it plays in their life, their opinions on it don't matter because their approach isn't as Detached Academic as yours.
and obviously I see people interact with fiction in a way I personally dislike all the time. I see people binge through a 3700 page text in two days to 'catch up' and clearly retain zero information. I see people trying to map a set of characters 1:1 onto the X-Men or the cast of an anime, unnecessarily forcing them into boxes. I see people apply gendered stereotypes onto characters when there's nothing in the source text to validate their use. hell there are still people doing freudian analysis and that I think has genuine ideological issues. I don't personally like any of those things, but it's simply not interesting to me to claim that they're doing it wrong and that I can do it better. instead it is more interesting to frame it as: this is their approach, and it's different from mine, so therefore it leads to a different understanding. knowing all that, I can see where and why our analysis differs, and I can get a fuller picture of the text and its actual (not ideal) reception based on the combination of those perspectives. and that's only possible if you take other readers seriously no matter their background, no matter their level of "media literacy" (although I do not think high media literacy is incompatible with analyzing characters as people) and no matter whether you, personally, agree with their approach.
so I'm gonna raise an eyebrow at anyone who says there is one specific correct way to look at fiction, but especially this one. just knowing that for the past 30+ years plenty of people in plenty of fields have supported and engaged with these alternative perspectives, it feels regressive for a significant subset of tumblr users to suddenly say 'actually, there's one correct way to interact with fiction, and it just so happens to be the one that fits comfortably in the mouth of an old white male academic who is still mad that women and poor people read fiction, too.
PLEASE STOP COPYING FICS ‼️
I am by no means gatekeeping concepts or tropes. We all know that it’s normal to see the same tropes or AUs be used differently, and that is not plagiarism. However, I recently found a fic that was oddly similar to my old (and discontinued) Gojo x Reader series, Reckless. The CEO! Gojo is nothing new, and neither is an accidental pregnancy trope. The only reason I am concerned is because this Gojo series I found has the exact same themes as Reckless that consists of: a playboy CEO Gojo with a very notorious reputation, a poor reader who is an employee and asset to the company (someone who works closely with Gojo), reader getting knocked up from a one night stand with Gojo, reader with a seemingly dead/absent mother yet still in contact with her father, Gojo with a very traditional family who does not like reader, and Gojo with an ex he struggles to let go of - which are all elements of Reckless.
The first chapter of that Gojo fic is also eerily similar to my first chapter with the same flow of: YN finding out she’s pregnant and her friend being there for her, Gojo saying he’ll take responsibility because ‘they both made the baby’, YN having to move in with Gojo to take care of the baby, and both of them coming to a mutual agreement that their ‘relationship’ will be purely for the baby’s benefit. The flow of events and specific details about the characters’ backgrounds are too similar to mine.
Again, I am not gatekeeping concepts, just as how I’ve had other writers ask me if they could write their own stories or takes based off of the NAOYA’S TROPHY WIFE COLLECTION or the BONTEN HUSBANDS EXCLUSIVE, and I’m fine with that. I’m even happy people are inspired by what I write. But being inspired is completely different from taking someone’s story and posting it as yours. Please trust your own creativity and skills in writing. You can write amazing stories and have people love them without having to steal from others.
It’s sad to say this is not the first time I, and other writers, have been plagiarized. It’s even more upsetting to know that a friend of mine who has also written a Gojo series (that I’m sure you all know and dearly love) experiences the same issues with the same person. The fact that this is happening to many writers out there is disheartening. We work hard and pour a lot of love in the stories we create. None of us are getting paid for this, and we simply want to share our passions with others. So please, let us be kinder with one another and show love and support the right way. If you love a fic, you give feedback and rb/comment + show support to the writer. You don’t steal their ideas and play it off as your own because you liked it.
does anyone else ever think about how similar tiphereth and netzach's 'on death' quotes during their respective floor realizations are. or is that just me.
I hope you know that if you use the R slur while critiquing something, your opinion is invalid and you can’t argue for shit.
. (tags commentary post)
The (entirely undisclosed) writing system Brin came up with in the World of Elan drives me nuts. Symbols were made with consideration for the schwa sound and their version of S looks like an O. (Or at least, whatever the first sound in their word for 'sun' is, that letter looks like an O.) The schwa accommodation alone means it's not the Latin alphabet. The S/O thing is probably further proof it's not the Latin alphabet, but could also indicate they're not speaking English. Which is kind of a moot point because everything pre-Riyria is implicitly localized into English if for no other reason than that most of the Fhrey language is blatantly localized and in Legends and also the old writing in Riyria does not match modern speech which is, itself, portrayed in English.
Anyway, it's not the Latin alphabet nor does it seem to be a cipher of the Latin alphabet because, again, it's got schwas. Assuming I read the bit about Brin and Roan discussing schwas correctly, anyway.
So they're not speaking English probably and they're also definitely not writing with the Latin alphabet or a 1:1 cypher... yet in Death of Dulgath, Payne makes a point of explicitly stating that his name is spelled with a Y and an E rather than an I, and Royce later makes a quip about his name being Pain after all.
(Not even gonna get into all the other times etymology is made up for words in the story, or the apparent vowel shift that managed to happen during the only few centuries of the empire where reading was wide-spread.)
I understand this is all still something that can be handwaved by saying "it's just localized into English" but my brain is still churning over this. Like...
Royce's whole entire name comes from a misread of Roy, a couple city segments reduced to initials, and someone slurring the words "male" and "born" together. And I'm gonna just ignore that the E in Royce is silent and the implications that has on the in-story alphabet. I'm not ignoring it. "Royce" only has three phonemes in it and even if you assume that the actual city section symbols were swapped out for Latin alphabet letters, how much space does that leave for the name Turin claimed while dropping him off at the orphanage? Did Brin invent a whole entire alphabet with useless extra letters despite her writing system actually being tailored for the language it was made in? Did the local language morph to the point of dropping certain sounds but keeping the old spelling, thus generating silent letters? Why? The vowel shift that I said I wasn't gonna get into seems, at least from how I read it, to mean that words are outright spelled differently between Fariland and Esrahaddon's time, which seems to imply that they adjust spellings to stick to pronunciation more readily than English does. But his last name is just comes from slurring the words "male" and "born" together. Given that there's no necessary reason for those words to be the same, what's his real name.
I understand that any second-world fantasy I read that uses names that sound like English words technically has this problem, but most of them don't also reference inventing an a writing system that explicitly isn't English and then making me think about it.
Realistically, I don't want Tolkien levels of worldbuilding. I like conlangs and fantasy writing systems, but when they're on the level of needing to read an appendix to learn that the fantasy language actually has a formal and informal you but only in certain cultures and some of the characters didn't use it and there were nuances to the social interactions I read that went overlooked due to all utterances of "you" being translated with the same word in English, you are expecting too much of me as a reader. But like... there is a little part of me that wants to know what their real names are when you tie their names to a bunch of words that I'm assuming were localized.
Also I'd like a Fhrey dictionary. I just... I need to know the pattern for the words. I want this.
It really is frustrating and a little funny how like... people will know full well that cherokee princess great grandma stories exist and aren't true. And that fake family stories in general exist. But people will be So sure that Theirs is the exception and is true for whatever reason, be it that they arent white, it doesn't say 'princess', it has a 'reasonable' story with it like 'they were adopted by a white family' or 'they hid and changed their names', they have photos of someone with tan skin, their family has 'high cheekbones, their dad went to powwows, etc etc etc there are so so many random things people use to justify these stories. Like ok, but do you know this ancestors name? Do you know where they were born? Do you know what year the trail of tears happened??? Do you know anything about cherokee history at all besides the trail of tears is an event that happened? Cuz honestly a chunk of these stories can be at least partially debunked with no genealogy just because the time period or location isn't right. Like 'my cherokee great grandma was sent to a residential school' she was born in Kentucky and continued to live in kentucky?? 'My great grandma told me she was on the trail of tears' the trail was 186~ years ago how old are you??? It's like. Can you do Any Tiny Bit of actual research into our history. If it's a big enough deal to you that you feel the need to talk about it whenever anything native or cherokee comes up, you can do the research I promise