I read some incredulity and irony into the first face. In Jasmine, it seems to be a bit more shaded with melancholy.
seen from United States

seen from United States

seen from United States
seen from United States

seen from United States

seen from United States

seen from South Africa
seen from China

seen from United States

seen from United States
seen from Türkiye

seen from United States

seen from United States
seen from Yemen
seen from United States
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seen from United States

seen from Singapore
seen from Türkiye
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I read some incredulity and irony into the first face. In Jasmine, it seems to be a bit more shaded with melancholy.
I think these two figures are in better sync, emotionally. I would refer to both as ‘despondent’.
There is a necessary project I must do.
I would like to grow and refine my ability to convey precise expressions and feelings through my characters’ faces and bodies. Somehow, it seems helpful to make it a two-step process: practice the expression on a realistic model, and then adapt it to a graphically designed model. I selected Princess Jasmine. It seems I created two emotions here: the model on the left seems to be a little concerned about what she’s looking at. Jasmine, on the other hand, is weary and blase about what she’s seeing.