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Next participant up for PrintCamp2019 Session 2/2:

ELIZABETH CASTALDO

ON HER WORK:

I work in mixed media, combining collage, drawing, and printmaking to create works on paper and artist’s books that explore the connection of feminine sensuality to nature and its manifestations in modern culture. I work with themes such at generation, growth, sexuality, entropy and decay. I am inspired by the structural patterns inherent in plant and animal life that reveal an undeniable connection between humans and the natural universe. My compositions become multi-layered worlds filled with motifs inspired by human anatomy, plant structures, and geometry. A key theme throughout the work is the resilience of living things and the ability for adaptation, despite a natural tendency toward disorder.

I recently wrapped up a yearlong residency at The Center For Book Arts where I focused on making artists books reflecting on my personal connection with nature as well as conservation, community and preservation of the natural world for future generations. 

My work is process driven and each stage of the work is a reaction that is informed by the work that preceded. I work with pattern and layering, building up layers of hand drawn patterns, watercolor washes, original prints, collage, and appropriated imagery. Printmaking and multiples are central parts of my art practice and I am passionate about creating unique handmade art with a foundation in the practice and theory of printmaking. The layering involved in collage, printmaking and bookmaking provides the opportunity for concealment, excavation, and revelation.

 WHAT SHE WILL BE DOING AT PRINTCAMP:

I hope to focus on experimenting with intaglio and lithography, figuring out how these techniques can fit within my studio practice. I would like to experiment with approaches to each process but ultimately move towards combining them with one another as well as other media. My goal for the week would be to come out with a small series of prints with a longer term goal of setting a foundation for making further work and more advanced use.

SKILLSHARE:

I would love to do a book making demo, perhaps a quick non-adhesive accordion or other quick structure that would be interesting to folks.

RESUME

Education

 2013 MFA, Printmaking, Savannah College of Art and Design, Atlanta, GA

2007 BFA, Painting, School of Visual Arts, New York, NY

2012  SCAD Lacoste, Lacoste, France

 RESIDENCIES AND NOTABLE WORKSHOPS

2017 - 2018    Scholarship for Advanced Studies in Book Arts, Center for Book Arts, New York, NY

2018        “Paper Memory” with Sarah Rose LeJeune, Women’s Studio Workshop, Rosendale NY

2018        Century Plate Lithograohy with Corinne Rhodes, EFARBPMW, New York NY

2017        “Experiments with Printmaking and Mixed Media” with Nandini Chirimar, EFA Robert Blackburn               Printmaking Workshop, New York, NY

2017        “Full Tilt Bookbinding” with Susan Mills, Women’s Studio Workshop, Rosendale NY

2017        “The Working Artist” with Crista Cloutier

SOLO AND SMALL GROUP EXHIBITIONS

 2019  New Book Art: Scholar Residents of 2018, Center for Book Arts, New York, NY

2018  Art That Binds, Atlantic Highlands Arts Council, Atlantic Highlands, NJ

2018 Some Assembly Required, Patchogue Arts Council, Patchogue, NY

2013 Solo Exhibition, Sensual Metamorphosis, MFA Thesis Exhibition

Dewberry Gallery, Atlanta, GA

2013 Pretty In Ink, Gallery Trois, Atlanta, GA and Pinnacle Gallery, Savannah, GA

2012 Freedom of Type, 2 Rules Gallery, Marietta, GA

2012  You Can’t Get There From Here, Emily Amy Gallery, Atlanta, GA

 SELECTED GROUP EXHIBITIONS

 2019  Freed Formats: The Book Reconsidered

2018  A Small Matter, Ann Street Gallery, Newbrugh, NY

2018  Windows on Main Street installation at A Lucky Cut, Beacon NY

2018 CBA Annual Benefit and Art Auction, Center for Book Arts, New York, NY

2018 Nassau Community College Art Faculty Exhibition, Plaza Art Gallery, Garden City, NY

2018 Exposed Strata, SGCI Conference, Las Vegas, NV

2017  EFA Robert Blackburn Printmaking Workshop Members Show NYNY

    2017        SCAD Printmaking Alumni Exhibition, SCAD Atlanta, Atlanta, GA

2017                  “Hello. I Love You. I’m Sorry,” SGCI Conference. Atlanta, GA 

2017        Nasty Women, ABD Gallery, Philadelphia, PA

2016        Small Works Show, Catalyst Gallery, Beacon, NY

2015        RAW Montreal Holiday RAWK, Montreal, QC

2015        Traces, Howland Cultural Center, Beacon, NY

2013 - 2015    Monumental Ideas in Miniature Books III Traveling Exhibition, Exhibited at various institutions and             conferences throughout the United States. Organized by Hui-chu Ying, Profesor of Art, 

        The Myers School of Art, University of Akron, Akron OH. 

2015        A Show of Hands, The Hand Magazine at SGCI Knoxville, Southern Graphics Council 

        International Printmaking Conference, A1 Lab Arts, Knoxville, TN

2014        Narcissism and the Self Portrait, Ann Street Gallery, Newburgh, NY 

2014        RAW Brooklyn presents: SCOPE, Brooklyn Night Bazaar, Brooklyn, NY

2014        Discordant, Mad Dooley Gallery, Beacon, NY

2013        ACA Library 6th Annual Student Artists’ Book Competition, ACA Library of SCAD, Atlanta, GA

2013        Georgia Artists: A Juried Art Exhibit, Abernathy Arts Center, Atlanta, GA

2013        Damn Fine!, Mason Murer Fine Art, Atlanta, GA

2013        Heart & Hands, 4th Annual National Student Juried Book Exhibition. University of Nebraska             Lincoln Love Library, Lincoln, NB, and University of Nebraska Omaha Criss Library, Omaha, NB

2013        Qi, Sycamore Place Gallery, Decatur, GA and Cherrylion Studio, Atlanta, GA

2012        Exposition des Etudiants, SCAD Lacoste Campus, Lacoste, France

2012        Figuratively Speaking, Gutstein Gallery, Savannah, GA

2012        ACA Library 5th Annual Student Artists’ Book Competition, ACA Library of SCAD, Atlanta, GA

2012        In, On, Of Paper Juried Exhibition, Paper Circle, Nelsonville, OH

2012        Oso Bay North American Printmaking Juried Exhibition, Texas A&M University, Corpus Christie, TX

2011        The Student Exhibit, 2 Rules Gallery, Marietta, GA

2011        Illuminations Juried Exhibition, Center Arts Gallery, Newburgh, NY

2010        Wish You Were Here 9, AIR Gallery, Brooklyn, NY

2010        Images for a Godless World, Project Reach, New York, NY

2009        Think Gallery Affordable Art Series, Think Coffee Gallery, New York, NY

2008        The Print Show, Visual Arts Gallery, New York, NY

2007        Body Modifications, Visual Arts Gallery, New York, NY

2007        College Art Association Annual BFA Exhibition, Center for Art and Media Studies, New York, NY

2007        Tomorrow’s Artist Today, Visual Arts Gallery, New York, NY

2005        The Print Show, Visual Arts Gallery, New York, NY

 HONORS AND AWARDS

 2017        Scholarship for Advanced Studies in Book Arts, Center for Book Arts, New York, NY

2017 and 2018    Women’s Studio Workshop Summer Art Institute Scholarship Recipient

2017        SGCI Emerging Professional Grant Recipient

2013        First Place Purchase Award, ACA Library 6th Annual Student Artists’ Book Competition, ACA                 Library of SCAD, Atlanta, GA (Juror: Margot Ecke, Artist and Designer)

2012        Best In Show, Sidewalk Art Project, Atlanta Preservation Center Grant Mansion, Atlanta, GA

2012        SCAD Seen Gala Highlight Artist, Savannah College of Art and Design, Atlanta, GA

2012        Honorable Mention, ACA Library 5th Annual Student Artists’ Book Competition, ACA                     Library of SCAD, Atlanta, GA (Juror: Eileen Wallace, Artist and Bookmaker)

2011        Dean’s Fellowship in Printmaking, Savannah College of Art and Design, Atlanta, GA

2011        Second Place, Illuminations Juried Exhibition, Center Arts Gallery, Newburgh, NY 

        (Jurors: Stuart Sachs, Virginia Walsh, Martha Zola, and Peter Cody)

 ARTIST TALKS

 2019        Artist Talk for “New Book Art: Scholar Residents of 2018”, Center for Book Arts, New York, NY, 

        February 21, 2019

2018 and 2019 Visiting Artist, Muscota New School, New York, NY

2017 and 2018    Artist Talk on Book Arts for students of Professor Sondra Graff’s Bookmaking Class, Fashion                     Institute of Technology, New York, NY, November 29, 2017 and April 11, 2018

2015        Remote Artist Talk for students of Professor John Alfred’s Undergraduate Contemporary Art                 Classes, Savannah College of Art and Design, Atlanta, GA, April 28, 2015.        

        INSTITUTIONAL COLLECTIONS

 University of Alberta, Bruce Peel Special Collections, Edmonton, Alberta 

Bowdoin College, Special Collections Library, Brunswick, ME

Carnegie Mellon University, Hunt Library Special Collections, Pittsburgh, PA

Duke University, Perkins Library, Sally Bingham Center, Durham, NC

Lafayette College, Skillman Library Special Collections, Easton, PA

Massachusetts College of Art, Godine Library Special Collections, Boston, MA

Ringling College of Art and Design, Kimborough Library Special Collections, Sarasota, FL

Savannah College of Art and Design, ACA and Jen Libraries, and the Office of the President, 

    Savannah, GA, Atlanta, GA, and Lacoste, France

SUNY Orange Newburgh Department of Nursing, Newburgh, NY

University of California Santa Cruz, McHenry Library Special Collections, Santa Cruz, CA

University of Puget Sound, Collins Library, Special Collections, Tacoma, WA

University of Washington Libraries, Special Collections, Seattle, WA

University of Wisconsin, Green Bay, Lawton Gallery, Green Bay, WI

University of Wisconsin, Milwaukee, Library Special Collections, Milwaukee, WI

Yale University, Haas Library Artist Book Collection, New Haven, CT

 PROFESSIONAL AFFILIATIONS AND MEMBERSHIPS

Vamp & Tamp Booksellers, Birmingham, AL

EFA Robert Blackburn Printmaking Workshop, New York, NY

Center for Book Arts, Artist Member, New York, NY

RAW: Natural Born Artists

Southern Graphics Council International, 2010- 2013, 2017

[printmakersopenforum]

Next participant for #PrintCamp2019 Session 2/2 in alphabetical order:

AMANDA KRALOVIC

@calicovineprintshop

ON HER WORK:

My work is a reflection of what I see within this world and how my mind transforms it. In my everyday life, I correlate the past with the present, which bridges the connection between my mind and physical self.  My life is a constant struggle of working through the past and wandering through the present. I often find myself alone, consumed with my thoughts, emotions, and memories. Through the struggles of life, I learn and grow by translating this process onto paper.  

I pull from both my past and present experiences, and layout onto paper my world, my thoughts and my feelings. Translating my physical and mental emotions, I extract shapes, patterns, and colors as visual metaphors. I work to create a language of communication through the use of physical and visual objects as they relate to the physical body and the emotional process of my mind’s thoughts and development.

My work is completed in layers, building up my surfaces layer-by-layer. Each layer is defined with color, using shapes and patterns to form each layer. As the layers come together they form imperfections, creating gaps, spaces and jagged edges that represent the realities of life.  Living in a world where nothing is perfect I struggle to hold myself together.  Through this analytical process of breaking the image down into layers and color, I pull not only the image together but also myself.     

Recently, my work has been focused on the movement of water, both on the surface and underneath.  I am challenging myself to connect with the movement and sounds it makes both mentally, physically and emotionally. As a swimmer, I hid my emotions in the pool, now I aim to use water to portray my emotions more openly.  As well water is a reflective device that gives way when manipulated. In my upcoming works, I am planning to use floating and moving objects, such as the physical body, and portray what it does to the surface of water.

WHAT SHE WILL BE DOING AT PRINTCAMP:

I am hoping to develop a series of images with hand-drawn hands and feet manipulating water.  The water would be displayed through the use of pattern that has been manipulated by the computer and screen printed on matboard to make collagraph plates. Drawings of hands and feet will be added using litho – stone or photo.  As well I would be interested in working on a large 18” x 24” intaglio with sugarlift.

SKILLSHARE:

I would be happy to give a demo on using screen printing on mat board or other surfaces to create collagraph plates.  I have also been using a sugar lift solution to screen print on copper. I have been aquatinting it and layering it on the surface of the plate. 

RESUME:

2015 MFA Printmaking, U of Massachusetts, Dartmouth MA

2004 BA Studio Art, Central Connecticut State University, New Britain CT

        TEACHING EXPERIENCE:

2019  Central Michigan University, Mount Pleasant MI    

2018  SUNY Adirondack, Queensbury NY

University of Albany/SUNY, Albany NY

        Westfield State U, Westfield, MA     

2016  Middlebury College, Middlebury, VT 

2014 – 2015    U of Massachusetts Dartmouth MA 

SELECTED EXHIBITIONS:

2019  Ann Metzger Memorial National Biennial Exhibition, St. Louis Artists’ Guild, St. Louis MO

2018  Tell Me A Story: A Group of Exhibition of Narrative Art, Emerge Gallery, Saugerties NY

        Solo Exhibition, Members Hall gallery, Saratoga Arts, Saratoga NY

        Bodies in Motion, Chico Art Center, Chico CA

2017  Regional Juried Exhibition, Chris White Gallery, Wilmington DE

Solo: Emotional Abstract Landscapes, Saratoga Arts, Reception Gallery, Saratoga Springs NY

        Prismatic Explorations, Lapham Gallery/LARAC, Glens Falls NY

Petit, Part 2, Emerge Gallery, Saugerties NY

2016 Southern Printmaking Biennale VII International, University of North Georgia, Dahlonega GA

Petit, Part 1, Emerge Gallery, Saugerties NY

       Unbound VI, Artistree Community Arts Center & Gallery, South Pomfret VT

        NJC: Works on Paper 2016, Long Beach Island Foundation of the Arts & Sciences, Loveladies NJ

2016 College Collective – Book Arts, Genesee Center for the Arts & Education, Rochester NY

29th Annual McNeese National Works on Paper Exhibition, McNeese State University, Lake Charles LA

4th Biennial International Open Print Show, Art at Wharepuke, Kerikeri NZ

2015       

5th Annual Armstrong 2D National Exhibition, Armstrong State University Gallery, Savannah GA

       Telling Tales, TEJAS Gallery, Dayton OH

        National Printmaking Exhibition 2015, The Wichita Center for the Arts, Wichita KS

Force of Nature: Exploring the Power of the Feminine, WCA/NH National Juried Exhibition, Karl Drerup Art Gallery & Silver Cntr for the Arts, Plymouth State University, Plymouth NH

http://printmakersopenforum.org/printcamp_all_print_media_workshop

[printmakersopenforum]

Excited to share information about participants for PrintCamp 2019 Session One (June 1 - 9) at Printmakers Open Forum

In alphabetical order by last name...First up

CLAUDIA FIEO

WEBSITE:

https://www.claudiafieo.com/

ON HER WORK:

The persistent touchstones in my work have always been nature and natural forms; my artistic work lives in the crevices between recognizing the devastation our species has wrought and seeking to reconcile humankind with the earth from which we've sprung. Given the changing climate, I feel an even more urgent need to underscore the cultural and spiritual significance of Nature in our lives.

I also would greatly appreciate the camaraderie and conversation among printmakers, as I am eager to learn new ways of doing things that might better my artistic practice. I look forward to responding to new landscapes and sources of inspiration within the natural world, I would like to devote my time at Print Camp to develop printed backgrounds on Asian papers, to provide some grounding, and aspects of continuity in my artistic vision within a new body of work, which I hope to continue developing over the course of my sabbatical time frame.

The printmaking studio is where I can revel in the unexpected, in the interplay of marks and motifs, strata of information printed over time and in different locations, attempting to give fullest expression to my ideas as I reach for those tantalizing, ethereal glimpses of universal truths.

WHAT THEY WILL BE DOING AT PRINTCAMP2019:

I would like to explore a combination of techniques, including non-etch intaglio techniques, monotype, relief and pochoir on Asian papers, that would be compatible with over-printing strata of information for future collaged prints. If there were time and space, I would greatly enjoy learning more about how to incorporate screen printing into my work, would be compatible with over-printing strata of information for future collaged prints.

I am well-versed in several techniques, but I need more experimentation using Asian papers, registration methods for layering different media. I would also appreciate advice on best practices for streamlining materials to accommodate printmaking while traveling.

SKILLSHARE: I could demonstrate how to employ stencils (either laser-cut, vinyl-cut, or hand-cut to create a collagraph plate with “screenprinted” carborundum gel or how to construct silk organza collagraph plates in addition to found material collagraph plates; how to develop a series of prints using pochoir monoprinting techniques. I could also show a PowerPoint presentation of how I developed a cohesive body of work from a series of related collagraph plates using four printed colors on pre-stained papers.

EDUCATION

MFA Printmaking, Il Bisonte International School of Advanced Printmaking, Graduate School of Art, Florence, IT

MA Printmaking, Rosary College, Graduate School of Art at Villa Schifanoia, Florence

BFA Graphic Design Carnegie-Mellon U

SELECTED SOLO AND GROUP EXHIBITIONS 2019 Crossings and Transpositions, The University City Art Museum of the Guangzhou Fine Arts Academy,

Guangzhou, China ( April 2019)

Digital Exhibition: Blue Wave, Zea Mays Printmaking, curated by Lynn Peterfreund

2018 On Paper/Under Glass, Contemporary Prints from the Permanent Collection, Slater Memorial Museum, Norwich, CT

2017 Vision/Revision, Center for Contemporary Printmaking, Norwalk, CT

The Unity of Opposites, Institute of Contemporary Art, Maine College of Art, Portland, ME

2016 The Unity of Opposites, A.P.E Gallery, North Hampton, MA

Pressing On, University of Rhode Island, Main Art Gallery, Wakefield, RI

2015 Unique Impressions V, Zullo Gallery Center for the Arts, Medfield, MA

[printmakersopenforum]

Next featured participant for #PrintCamp2019 is:

IAN COLWELL

ABOUT THEIR WORK:

I was born in the year 1998 in Poughkeepsie, New York. In 2003 my parents separated, which resulted in 14 years of various events of trauma that has inadvertently impacted my identity. This had to lead me to begin to question my self-image at an early age. I didn't quite fit into any group or find anything I excelled at. In order to cope with that trauma, I found that making art was therapeutic and helped boost my self-esteem. As a teenager, I started to feel estranged from my friends and peers, feeling like I could not identify or relate to their experiences but I never could understand why. Feeling isolated from my environment, I was keen on leaving New York. Coming to Portland, Maine, to attend college it was a very liberal climate in terms of politics than what I was used to. I made a crucial connection to my identity during college orientation, learning that there are different pronouns that people can be referred to, such as “they/them/theirs”. Constantly challenging my image before, I felt immediately connected to not conforming to the gender binary. Through the use of Printmaking as a way to educate others and myself, I started to investigate into my gender identity through the use of print, a very fluid and democratic medium used to make multiple images. Being able to take up space, and be outspoken with my work to show that identifying as gender nonconforming is a normal and conventional way of living. By fragmenting and screenprinting images of my own body I act as both Dr. Frankenstein and the so-called “creature” through the use of digital and physical means. I am re-composing images of my own body to claim ownership over my own body as a genderless being.

 WHAT THEY WILL BE DOING AT PRINTCAMP:

At Printcamp I would continue to explore this investigation of self through the use of print and print media. Currently, my work has been constructed through printmaking techniques. At Printcamp I am hoping to strengthen my skills as a printmaker, and hopefully learn some new techniques.

SKILLSHARE: I would like to share my zines concerning gender identity

RESUME:

Exhibitions Ambassador

Institute of Contemporary Art

Portland, ME

 Social Media Coordinator

Maine College of Art and Design

Portland, Maine 

 Teaching Assistant

Lincoln Middle School at MCAD, Portland, ME

 Gallery Assistant

Institute of Contemporary Art

Portland, ME

Gallery Intern

Space Gallery

Portland, ME

http://printmakersopenforum.org/printcamp_all_print_media_workshop

[printmakersopenforum]

Applications due March 15th

[printmakersopenforum]

PrintCamp2019 Session Two Shop Assistant

ALLISON ROSH

WEBSITE:

www.allisonhrosh.com

ABOUT HER WORK:

The surface of the body acts as a barrier between our internal and external selves exposing the vulnerabilities between mind and body. As fragile and receptive beings, the past builds up and manifests itself through our daily actions and repetitive tendencies. Constant awareness of our physical forms and emotional states are visually impressed upon us. There is a strong desire to control our appearance and physical signs of well-being. The length one will go, to appear well and put together intrigues me. These preconceived expectations of self, become overwhelming, and the focus of our obsessive dwelling. 

The presence of the body is suggested in these pieces, through various processes that reflect healing and destructive patterns. Veiled pieces are mended meticulously by hand, creating another skin. Etched impressions on copper are abstracted and deteriorated. Surfaces are abraded; etched; mended, and covered. These act to highlight the subtle and startling effects of our physical movements, mental states, and overall health.

RESUME

EDUCATION

2016    MFA University of Iowa, Iowa City, IA

Major: Printmaking, Minor: Drawing

2015    MA, University of Iowa, Iowa City, IA

Major: Printmaking, Minor: Drawing

2013    Bachelor of Fine Arts, Bowling Green State University, Bowling Green, OH

    Major: Two Dimensional Studies

TEACHING

Present – 2018    Adjunct Instructor, University of Cincinnati, Cincinnati, OH

Introduction to Lithography, Introduction to Intaglio

2016 Adjunct Instructor, Northern Kentucky University, Highland Heights, KY     

Adjunct Instructor - Art Appreciation for Non-Majors – School Based Scholars Program, Northern Kentucky University, Highland Heights, KY

2016 Teaching Assistant – Instructor of Record, University of Iowa, Iowa City, IA

2015    Teaching Assistant – Instructor of Record, University of Iowa, Iowa City, IA

Introduction to Printmaking: Fall 2015

Print processes covered: Stone Lithography and Silkscreen.

Teaching Assistant - General Education Course - Creativity for a Lifetime

Co-taught by Anita Jung, Clar Baldus, and Matthew Gilcrest, University of Iowa, Iowa City, IA

Teaching Assistant - Summer Intensive Foil Imaging Workshop, University of Iowa, Iowa City, IA 

PROFESSIONAL EXPERIENCE

Present - 2016    Social Media Coordinator, Mid America Print Council (MAPC)

2016 Curator for the Virginia A. Myers Memorial Exhibition, Levitt Gallery, Iowa City, IA

2015 Intern at the University of Iowa Museum of Natural History, University of Iowa, Iowa City, IA

Iowa Print Group Archive Community Outreach - University of Iowa Mobile Museum, Iowa City, IA

2014-2015    Co-founder of Iowa Print Group, University of Iowa, Iowa City, IA

Mud Stencil Workshop, Creative Time Summit, Iowa City, IA

Curator of Friends Under Pressure, Printmaking Department Exchange and exhibition, University of Iowa, Iowa City, IA

Printmaking Studio Monitor, University of Iowa, Iowa City, IA

2013  Relief Demonstration, University of Iowa History of Print Class, Iowa City, IA

Iowa City Press Co-op, Iowa City, IA

2015    Pronto Plate Lithography Workshop, Zenzic Press, Iowa City, IA

2014    Monotype and Watercolor Monoprint Workshop, Zenzic Press, Iowa City, IA

EXHIBITIONS

Solo Exhibitions

2016        Embodied Response, Levitt Gallery, Art Building West, Iowa City, IA

Reveal /Conceal, Medical Museum, University of Iowa Hospital and Clinics, Iowa City, IA

2015   From the Outside, In, Kendall Gallery, Iowa Memorial Union, Iowa City, IA      

Emergence, Printmaking Staging Space, Iowa City, IA

JURIED AND GROUP EXHIBITIONS

2019 /just to be alive/1628 ltd Cincinnati, OH     

2018  Women, Memory, and Psychological Scapes Portfolio, Travelling exhibition

 IMPACT 10, Universidad de Cantibria, Santander, Spain

 Grenfell Art Gallery, Corner Brook, Newfoundland

Unframed, Tiger Lily Press Members show, Covington, KY

California College of the Arts, Blattner Studio Gallery, Oakland, CA

Southern Graphics Council International, Las Vegas, NV

Bodies Under Pressure, Kimura Gallery, University of Alaska Anchorage, Anchorage, AK

9th International Printmaking Biennale Douro, Alijo, Portugal

2017        The Contemporary Print, 02 Gallery/PrintAustin, Austin, TX

Global Print 3, Coa Museum, Alijo, Portugal

Star-Crossed Lovers, Morissey Gallery, St. Ambrose University, Davenport, IA

25th Parkside National Small Print Exhibition, UW-Parkside Gallery, Kenosha, WI

FE17: Full and Part-Time Visual Arts Faculty Exhibition, Highland Heights, KY 

2016        Of Rules and Rebellion, Schneider Hall, University of Louisville, Louisville, KY

Awkward Portal, Public Space One, Iowa City, IA

BIBLIOGRAPHY

2016        “Changing Light: A New Visual Language”, Virginia A.Myers, Pg. 99-100

“In the Foil of Life”, daily-iowan.com, August

“The Daily Palette”, dailypalette.uiowa.edu, February and May

2015        “The Magnolia Review”, Issue 2, Pg. 62, July

[printmakersopenforum]

[printmakersopenforum]

Drying racks at Printmakers Open Forum. Sides: 1/2 thick, 8 in wide Long pieces: 1/4 thick, any length When screwing them together, ypu need at least two sides that have two screws so the slats don't swivel out of square . . . #dryingracks #printshopsanctuary #printmakersofinstagram (at Printmakers Open Forum)