#pubblication

[davidebarbierihair]

🖤➿➰➿🖤 kiss curls and gloves @sheldon_chang #photography @arrancritchley LOOOVE the images 🔥 #styling @emilysusantighe @schmidcx2010 ❤️❤️#makeup @mariacomparettomua 💖 #hair me @carenagency using the one and only @leonorgreyluk 🖤🤍 #pubblication @desirehommemag #hairbydavidebarbieri #hair #hairarr #kisscurls #bowcatchers #hairlove #hairblog #menshairstyle #menbeauty #leonorgreyl #naturalhaircare #gelalhibiscus #hairgel (at The Qube) https://www.instagram.com/p/CNcUvQwA1Cu/?igshid=1g1f4k7c0l436

[danieladeangeli]

I led the development of two games for the Ruhr Museum in Essen, Germany. These were the first two games developed following Agonistic principles.

The Endless Blitz - installed in the museum:

The game Umschlagplaz '43  - installed in the museum:

More information on the design process can be found in this publication at CHI Play 2018: "Agonistic Games: Multiperspective and Unsettling Games for a Social Change” 

ABSTRACT

Historical narratives of conflict typically revolve around heroes and villains or perpetrators and victims. However, this dichotomy of events and people into good and evil greatly reduces the extent to which the past can be analysed, explained, and understood. To truly understand the actions that lead to conflict, one must appreciate the dense network of relationships between social agents, each with their own personal motivations and ideals. A contemporary political viewpoint capturing this multiperspectivity is that of Agonism. Focusing on the characters and events, Agonism emphasises the socio-cultural interactions and relationships between all agents involved including bystanders and, crucially, perpetrators. We discuss two 'Games for a Social Change' that we have developed to promote an Agonistic view: Endless Blitz and Umschlag '43. We describe the games themselves, and the framework of memory studies that informs our work.

[daniellatroni-daybook-blog]

We Are Vandals volume 1 a book magazine content about a collective of alternative artists and acclaimed photographers

[daniellatroni-daybook-blog]

We Are Vandals volume 1 - book/magazine its content of inside pages is about a collective of alternative artists and acclaimed contemporary international photographers

[ninoperrone]

Regione Puglia Sezione Comunicazione Istituzionale 2011

Programma 100 cantieri in 100 giorni Visual, brochure, infographic

Sfoglia la pubblicazione su ISSUU

[ninoperrone]

Istituto Nazionale di Economia Agraria Sede regionale Puglia

Quaderni INEA 1995-1997-1998-1999-2000/2002-2003/2004-2005/2007-2010

21 x 30 cm

progetto grafico, impaginazione e visualizzazione dei dati

Sfoglia la pubblicazione su ISSUU

[alessandrorazzini]

Favole dal Senegal, Touba Culturale (2017)

[alessandrorazzini]

Buonumore, Touba Culturale, (2016)