#public share

[squigglysquidd]

Fibonacci Codex

It’s still a WIP as I’ll be updating it as I write with minor details, but here’s a public copy. I did my best to remove any copyright images from artists, but if I missed something, let me know.

You’ll be able to tell I took a lot of inspiration from Elder Scrolls and Witcher, but they’re great franchises, so I really look up to them.

Here’s the entire Codex (It’s large) Feel free to leave comments on anything. I’d love to hear what you think :)

Here’s the Reaper Vocabulary that is directly from Skyrim’s dragon language

[nepalstocknews]

Everest Color to issue IPO for public from Jestha 22

Everest Color Limited is going to open its Initial Public Offering (IPO) shares for the general public from Jestha 22. The company will sell 6 lakh 55 thousand 700 units of shares at a face value of Rs 100 per share. Ordinary investors who want to buy these shares can apply for minimum 10 units to maximum 10,000 units. The early deadline for applying to this IPO is set on Jestha 27. Snow Rivers…

Everest Color to issue IPO for public from Jestha 22

[weincommon-blog]

Plant Gang

Plant Gang started by Liv Worsnop was a concept that seeks to work with the environments in Christchurch. Places that were demolished by the Christchurch earthquakes were not seen as demolition site but were seen as a place for growth, where weeds were not seen as weeds but as a contributor to our surrounding environment such as it gives benefit to the insects, birds, air and the soil.

Artist Profile - Liv Worsnop and Plant Gang. (n.d.). Retrieved April 21, 2016, from http://www.firstthursdayschch.co.nz/news/2015/9/2/artist-profile-liv-worsnop

[weincommon-blog]

Gap Filler is a creative urban regeneration initiative that facilitates a wide range of temporary projects, events, installations and amenities in the city.

This project is temporary small compared to other permanent development, which are less risky. Not only that but it opens up opportunities in trying out new ideas, adopting participatory process in involving people in creating their city and pushing social boundaries [1]. Communities, architect, artists, students, dancers, engineers, landowner  and anyone with a creative idea in activating city spaces for a short period of time are involved in this project. 

This project have shown that by recycling materials and working collaboratively with suppliers, fostering volunteer power and being creative indicated that cities  around the world does not have to depend on developments that are large done by private or public sectors [1]. This just goes to show that when communities work  together and in unity they can create amazing developments which it can be beneficial for the community.

Ultimately, Gap Filler aims to innovate, lead and nurture people and ideas; contributing to conversations about city-making and urbanism in the 21st century.[1]

http://www.gapfiller.org.nz

[1] The Commons. (n.d.). Retrieved May 25, 2016, from http://www.gapfiller.org.nz/the-commons/

[weincommon-blog]

Conflict Kitchen 

 The conflict kitchen is an idea founded by John Rubin and Dawn Weleski. The main idea of this concept is to highlight food and culture of nations portrayed as hostile and not considered as allies of the United States[2]. Conflict kitchen was created due to the lack of information, understanding and empathy in the American public sphere for people living in countries that they considered their enemy. Ways that they ensure people are well educated about

 the other countries were to introduce customers to a culture that isn’t based on political conflict but on sharing the voices of people where they use food as a storytelling device to introduce customers to culture and stories that they have never experienced before. Not only does this concept educate people on counter public that may be living in the same country as the like refugees or immigrants, but also breaks down barriers between people. Conflict Kitchen creates a space on the street that prompted cultural and political discussions that are uneasy for Americans to have because it challenges and separate stories that are formed by mainly the media and U.S policy [2].    

http://conflictkitchen.org

[1]Inside, Looking Out. (n.d.). Retrieved May 25, 2016, from https://nz.pinterest.com/pin/278801033159279755/

[2]Conflict Kitchen or: How I Learned to Stop Worrying and Make Mahalabiya. (2015). Retrieved April 20, 2016, from http://blog.palestine-studies.org/2015/05/26/conflict-kitchen-or-how-i-learned-to-stop-worrying-and-make-mahalabiya/ 

[weincommon-blog]

THE COLLECTIVE

A New Zealand artist collective engaging in ideas of sharing and production. Public Share combines object making and site exploration with social engagement and critique, with a particular focus on workplace rituals[1]. This project were in two part where the first part were a Public engagement symposium at the Auckland Art Gallery on the 13 of September 2014. Material that were used for this project were clay from the Auckland SH16 Northwestern motorway constructions in Te Atatu as it was used to make mugs and plates to serve morning tea during the Public engagement symposium. Symposium participants were also able to takeaway the mugs and plates  .The second part of this project were irregular allotments involved in making morning tea for the site workers that were involved with the Auckland SH16 Northwestern motorway [1]. 

https://publicsharecollective.com/category/allotted-breaks/

[1] Public Share. (n.d.). Retrieved May 24, 2016, from https://publicsharecollective.com/category/allotted-breaks/