She is very sharp on that point in your early 30s when the realisation dawns that you can’t keep deluding yourself you’re not really an adult yet. There’s a lovely section in Hunger in which the music builds as she feels the mounting excitement of Friday approaching, only to realise that the messy hedonism of the weekend is something she is better off observing fondly from a distance: “Oh you and all your vibrant youth,” she sings, looking on, “how could anything bad ever happen to you?”
Florence + the Machine: High As Hope review – older, wiser, comparatively calmer








